Join us for a free tour of current exhibition, Karuppu by Osheen Siva, with BSL interpretation.
Alongside, discover more about Shahnawaz Hussain: My Nottinghamshire Perspectives in Watercolour and Peepshow: An Illusion Cut to the Measure of Desire in our extra gallery spaces.
Free, open to all
Join us for a free tour of current exhibition, Karuppu by Osheen Siva, led by Deputy Curator Joshua Lockwood-Moran.
Alongside, discover more about Shahnawaz Hussain: My Nottinghamshire Perspectives in Watercolour and Peepshow: An Illusion Cut to the Measure of Desire in our extra gallery spaces.
Free, open to all
Join us for a free, accessible tour of history is a living weapon in yr hand led by Onyeka Igwe (artist) & Elaine Joseph (audio describer), and accompanied by a BSL interpreter.
General access information to the building can be found here
Accessibility information for the exhibition can be found here
Onyeka Igwe is a London-born and based moving image artist and researcher.
Her work is aimed at the question: how do we live together? Not to provide a rigid answer as such, but to pull apart the nuances of mutuality, co-existence and multiplicity.
Onyeka’s practice figures sensorial, spatial and counter-hegemonic ways of knowing as central to that task. For her, the body, archives and narratives both oral and textual act as a mode of enquiry that makes possible the exposition of overlooked histories.
She has had solo/duo shows at MoMA PS1, New York (2023), High Line, New York (2022), Mercer Union, Toronto (2021), Jerwood Arts, London (2019) and Trinity Square Video, London (2018). Her films have screened in numerous group shows and film festivals worldwide.
Currently, she is Practitioner in Residence at the University of the Arts London and she will participate in the group show ‘Nigeria Imaginary’ in the national pavilion of Nigeria at the upcoming 60th Venice Biennial in 2024. She was awarded the New Cinema Award at Berwick Film and Media Arts Festival 2019, 2020 Arts Foundation Fellowship, 2021 Foundwork Artist Prize and has been nominated for the 2022 Jarman Award and Max Mara Artist Prize for Women. Onyeka is represented by Arcadia Missa Gallery.
Elaine Lillian Joseph is an audio describer based in London and Birmingham. She has a BA in Modern Languages (German) and English Literature and trained as a describer at ITV under Jonathan Penny. She is a founding member of SoundScribe, a global majority collective of audio describers and consultants and a member of Collective Text, an organisation supporting accessibility in art and film through creative captioning, audio description and interpretation. The question that galvanises her practice is how can we honour the labour of access work and create a service that powerfully resonates with users? Collaboration and anti-discrimination activism is key to her work.
A selection of recently completed projects include Eve Stainton’s Impact Driver at the Institute for Contemporary Arts in London, an online screening of Hofesh Shechter’s Political Mother and a newly commissioned audio described track for Black Audio Film Collective’s Handsworth Songs.
Join us for a free tour of history is a living weapon in yr hand by Onyeka Igwe, led by Gallery Director Tom Godfrey.
Free, open to all
Join us for an insightful gallery tour of our current exhibition, The Art Schools of the East Midlands by John Beck and Matthew Cornford, and the accompanying exhibition, Art [School] Histories in the Vitrines and foyer.
Find out how the exhibitions emerged as part of the Art School Project and uncover stories behind the work and its connections to Nottingham.
Join Bonington Gallery’s Director Tom Godfrey for an insightful gallery tour of our current exhibition, The Art Schools of the East Midlands by John Beck and Matthew Cornford, and the accompanying exhibition, Art [School] Histories in the Vitrines and foyer.
Find out how the exhibitions emerged as part of the Art School Project and uncover stories behind the work and its connections to Nottingham.
Join Bonington Gallery’s Director, Tom Godfrey, for this hour-long gallery tour of our current exhibition – Social Resource Project for Tennis Clubs.
Free and open to all, gain a unique insight into this exhibition and Stephen Willats’ work. Explore the origins of Social Resource Project for Tennis Clubs (1971/2) through the archival material on display, and how Willats’ early years in Nottingham proved influential to his subsequent career. This walkthrough will also look at the new works the artist has recently made in response to revisiting Nottingham and the original locations of Social Resource Project for Tennis Clubs (1971/2).
Spaces are limited, and booking is required. Meet in Bonington Foyer (outside the doors to the Gallery) at 12.55 pm for a prompt start.