In what seems like an intensifying atmosphere of global, media-driven expressions of shock, horror, fear and anxiety – how can we use states of crisis as a way to rethink the future? Can we harness these acutely painful conditions and represent them in a creative way?
Curated by Something Human and presented in partnership with Bonington Gallery, Nottingham Trent University and Nottingham Contemporary, Krísis presented an exhibition and events programme of international visual and performance artists, to engage our audience with multifaceted perspectives on the meaning of ‘crisis’, and its understanding within the current socio-political climate.
Through multidisciplinary artworks, performances, and conversations, Krisis explored how these critical conditions can be reclaimed and reconfigured to drive change through artistic practice.
We’ve invited Something Human to write on our blog – read more about them.
Sama Alshaibi (Palestine-Iraq), Nicola Anthony (UK), John Clang (Singapore), Dictaphone Group (Lebanon) Collective Creativity (UK), Maryam Monalisa Gharavi (US-Iran), Núria Güell and Levi Orta (Spain-Lebanon), Lynn Lu (Singapore), Marija Milosevska (Macedonia), Rachel Parry (UK), Post-Museum (Singapore), Raju Rage (UK), Aida Silvestri (UK), Srey Bandaul (Cambodia), Tuan Mami (Vietnam), and Boedi Widjaja (Singapore)
When artists ‘perform’ states of crisis, do they also ‘perform’ states of regeneration? How can live art ignite new conversations and reflections on crisis?
CCLAP is a three year live art project that began in 2014. It aims to bring together the critical contexts of Southeast Asian live art practice, in conversation with developments within the UK and Europe.
On Thursday 27 October CCLAP presents thought-provoking live performances by Southeast Asian and other international practitioners to address the notion of crisis. The performances will take place as part of the Krísis exhibition preview from 5 pm – 8 pm, RSVP to confirm your attendance.
Lynn Lu (Singapore), Soni Kum (Japan – Korea), Marija Milosevska (Macedonia), Rachel Parry and Little Wolf Parade (UK), Raju Rage (UK), Tuan Mami (Vietnam) » Boedi Widjaja(Singapore)
CCLAP’s 2016 series of indoor and outdoor performances is part of the public programme in association with the exhibition Krísis, curated by Something Human in partnership with Bonington Gallery, Nottingham Trent University and Little Wolf Parade.
CCLAP is kindly supported by Arts Council England, National Arts Council Singapore and City of Skopje.
This is how too,
When the time is right,
The Hands gather together,
To GO again.
I see that,
From your perspective,
The lines fall into focus,
As though directed from above.
The life of the models,
Informs the Fourth World,
Their flickering motion,
Stirs the Soup.
This is a spoiler: For one day only, within Reactor’s current exhibition Here, the Gold Ones flatter, a choreographed performance brings the models to life. Helping Hands slip easily into particular models as though they were made to fit. The path of the models is straight and runs right round. Over-cycles the hoop turns and reality dissolves, Hands become those from the past and youse can watch from within the corral.
Special thanks to Ellen Angus, Rebecca Beinart, Pádraig Condron , Beth Kettel, Nastassja Simensky, Reece Straw and Aisling Ward for performing in The life of the models.
Taking place in Nottingham Trent University’s Old Chemistry Theatre, the space is reduced to a minimal setting of a table and chair, a notebook laptop and the human body. The performance aims to create an intimacy with the viewer whilst allowing the interplay between what is real and the virtual world.
Notebook Series is collaboration between a choreographer, Colette Sadler and set-designer, Philine Rinnert. The reference to a notebook in the title reflects shared ongoing process and research. The notebook is both a holding structure and platform for the collaborative process in so far as it allows the laying out and organisation of images, texts and choreographic notes or studies differently from those suggested by real time and space.
In a situation reminiscent of a lecture or public speech, the performance questions the identity of the performer. Moving between the real and the fictional in a clinical deconstruction and disassociation of the human body and its senses, the performance asks “What are you” and “Who are you” in an investigation of the human capacity for transformation and the possibility of living beyond the self.
For full details please visit the Dance4 What’s On pages
Notebook Series is part of the Nottdance Festival 2015. The festival runs from the 5 – 15 March with over 40 performances taking place over 11 days, across more than 20 venues and public spaces.
Download the full NottDance Festival programme here.
Summer Lodge celebrated its 5 Year Anniversary in 2014. For ten days each July, the Fine Art studios and workshops of Nottingham Trent University are transformed and play host to a gathering of thirty diverse artists.
As part of this celebration the Gallery was used as a testing space, giving the public a glimpse into the activities of the Lodgers through live stream to screens in the foyer before being used as an exhibition space.
The Lodge was a collective space in which to undertake experiments, pursue new ideas and allow unexpected leaps of imagination. Participants in the Summer Lodge came together with the aim of initiating new dialogues and critical exchange through engaging in a period of sustained studio / workshop practice.
This years participants included artists from Nottingham Trent University; Sheffield Hallam University; Bergen Academy of Art and Design; Harrington Mills Studios; One Thoresby Street; and Backlit Studios.
At the completion of the Lodge, the Gallery was opened to the public to showcase the diverse range of work created across the ten days.
Summer Lodge: 30 June – 11 July 2014 (public could watch activities unfolding via live stream in the foyer)
Exhibition: 14 – 22 July 2014
For more information, and for ongoing documentation during the Lodge, visit: www.summerlodge.org.
Beyond the Line was an international, interdisciplinary collaboration involving artist-writer Emma Cocker, artist Nikolaus Gansterer (Vienna) and choreographer Mariella Greil (Vienna).
Cocker, Gansterer and Greil inhabited the gallery as an experimental ‘method laboratory’ for staging an encounter between choreography, drawing and writing; between body, mark and text.
Through processes of reciprocal exchange, dialogue and negotiation between three different practices, Beyond the Line interrogated the interstitial processes, practices and knowledge(s) produced in the ‘deviation’ for example, from page to performance, from word to mark, from line to action, from modes of flat image making towards transformational embodied encounters.
Glimpses of the unfolding ‘method laboratory’ were made possible through a live-feed video stream that could be viewed in the Bonington foyer. The ‘laboratory’ was open to the public at scheduled times where the artists were ‘in-residence’ to share their working processes.
Beyond the Line was conceived as ‘test-bed’ for exploring collaborative methods for working between and beyond the disciplinary lines of drawing, dance and writing and is supported by the Austrian Federal Ministry for Education, the Arts and Culture (BMUKK). Ideas and working processes emerging from Beyond the Line will be developed further as part of a 3-year collaborative research project between Cocker, Gansterer and Greil entitled Choreo-graphic Figures: Deviations from the Line 2014 – 2017 (funded by the Austrian Program for Arts-based Research, PEEK).
Thursday 17 April from 10.00 am – 4.00 pm.
Schedule
10 am – 12 pm: Live Exploration Session
12 pm – 1.30 pm: The lab remains open with fragments of the research process made visible
1.30 pm – 3 pm: Live Exploration Session
3 pm – 4 pm: Discussion
Please join us for a celebratory launch of two new publications:
Traci Kelly‘s ‘Seers-in-Residence’, with contributions from Emma Cocker, Simon Cross, Ben Judd and Joanne Lee (a Nottingham Trent University/Bonington Gallery publication)
‘This publication emerges from an invitation for four researchers to spend time as Seers-in-Residence with Traci Kelly’s monoprint installation ‘Feeling It For You (Perspective)’, which was part of From Where I Stand I Can See You in January 2013. The resulting book documents the creative and critical ideas explored by participants, and reflects upon the possibilities for this innovative model for research.’
Designed by Joff + Ollie
Joanne Lee‘s ‘Gumming up the Works’, Issue #3 from the Pam Flett Press independent serial
‘This third issue fantasizes about luminous constellations of dropped chewing gum on the street, confronts a horrible compulsion to seek out the hard stuff glued under desks or in the recesses of train carriages, before finding itself fixated upon various species of lumps, heaps and piles; ultimately the writing explores creative work as a sort of digestion or composting, and suggests we have quite a lot to learn from worms’
Designed by Dust
There will be drinks and nibbles in the Atrium, followed by a live vocal performance by Denise Boyd as we relocate to Bonington Lecture Theatre for introductions to the publications, and a series of short readings. Click here to join the events page on Facebook.
Delivered by Dance4, Nottdance Festival returned once more with its internationally renowned innovative and entertaining perspective that continues to question ‘What can dance be?
Bonington Gallery was proud to host a number of performances in our Waverley theatre and a photography exhibition A Dance4 Story by David Severn.
This series of photographs were commissioned by Dance4 to take a look behind the scenes and create a visual narrative about the work the organisation does with artists, communities, young people and venues. The project also explored Dance4 in the context of Nottingham and demonstrates its dedication to the city and wider region.
A DANCE4 STORY by DAVID SEVERN (UK)
This series of photographs was commissioned by Dance4 to take a look behind the scenes and create a visual narrative about the work the organisation does with artists, communities, young people and venues. The project also explores Dance4 in the context of Nottingham and demonstrates its dedication to the city and the wider region.
David Severn is a social documentary and fine art photographer, based in Nottingham. His photographs have been exhibited at QUAD (Derby), Light House (Wolverhampton), Guernsey Photography Festival, London Film Museum and Nottingham Castle. Photographs from his project Thanks Maggie (2012) are currently on exhibition at the FORMAT International Photography Festival (Derby). He is a finalist in the Magnum Photos/Ideas Tap award and won Grand Prize at the Nottingham Castle Annual Open last year.
“I have a strong relationship with Dance4 and have been photographing performances for them as a commercial photographer for several years. After knowing the organisation for so long and feeling part of the team, I wanted to make a series of photographs that looked more contemplatively at the great work they do with international artists, young talented dancers and local community groups. My work is typically concerned with the connection between people land place. I’m particularly interested in photographing my home city of Nottingham and the surrounding county, so this project was a way of bringing my own curiosities as a photographer to a commission I could develop over a sustained period of time. It’s been a privilege to once again work closely with Dance4 to make this work and l’d like to extend a warm thanks to the whole team for allowing me such creative freedom.”
David Severn
What’s happening in the Cosmic Care Home today? Scrolling through the numerous cameras in the Home, the Helping Hands choose what you can see, around the clock. These cycles of slow-rest, care, break-fast, and well … what you can see now, is that time for the Gold Ones travels differently.
This livestream is part of the residency and new video-installation by the art collective Reactor. Currently on show at Bonington Gallery, it documents the lives of a cohort of higher spiritual beings known as The Gold Ones.
This event was live-streamed and no longer available to view.
Reactor is an art collective, comprising Susie Henderson, Niki Russell and an undisclosed number of secret members. Recent and forthcoming projects include: ‘Ivan Poe’ (online), Kunstraum (London), Southwark Park Galleries (London), Quad (Derby) and Hexham Arts Centre, ‘The Gold Ones’, Radar (Loughborough), Plymouth Art Weekender, Kunstnernes Hus (Oslo), Gallery North (Newcastle) and xero, kline & coma (London), ‘Log!c ?stem’, Flux Factory (New York), ‘Dummy Button’, KW Institute for Contemporary Art (Berlin).
Reactor and Plastique Fantastique have been talking about producing a performance fiction for some time.
We/they (Reactor/Plastique Fantastique) said that there would be a get-together to discuss this performance friction at some point in the future.
We (Reactor) called them and said now might be the time.
They (Plastique Fantastique) agreed and said: one hot summer long ago – 21 June 1998 – after travelling back to a pleasure park and forecasting what would later be said to have been called forth (our, Reactor’s, performance fiction), they (Plastique Fantastique) had created a set of protocols (a recording) for our (Reactor’s) performance.
They (Plastique Fantastique) claim an enunciation, or a type of performance diction/dictation was cast, for us (Reactor) to follow – an enunciation derived from tarot reading and looping sessions.
We (Reactor) listened in at the other end of the line, but wouldn’t quite hear correctly, and so the performance prediction didn’t happen (they, Plastique Fantastique, said it did and it was followed by us, Reactor, precisely).
So, we/they (Reactor/Plastique Fantastique) thought best to make that known beforehand. Are you (you) OK with that? You (you) are OK with that, so thanks for your attendance.