Weird Hope Engines embraces the culture of tabletop roleplaying games (TTRPGs) to explore play as a site of projection, simulation, communal myth-making, distorted temporality, and alternate possibility.
The first exhibition of its kind, it highlights the practices of innovative designers, artists, and writers in the field of independent game design, and brings their work into dialogue with fellow-travellers in the field of critical art practice.
Curated by David Blandy, Rebecca Edwards and Jamie Sutcliffe, this experimental exhibition reimagines Bonington Gallery as a hybrid lab – a testing site for the development of new worlding experiences, an active gaming hub, and an archive of maps, concept artworks, rulebooks, and gaming curiosities. Visitors are invited to participate in both solo and collaborative gaming experiences that highlight questions of collective responsibility, personal testimony, and colonial legacy, reframing our expectations of gaming imaginaries as potent sites for rethinking social organisation, cross-cultural understanding, and personal reverie.
…reframing our expectations of gaming imaginaries as potent sites for rethinking social organisation, cross-cultural understanding, and personal reverie.
Migrating between the dreamworlds of science fiction, fantasy, folkloric myth, and pressing social realities, a series of newly commissioned play experiences by David Blandy, Chris Bisette, Laurie O’Connel, Zedeck Siew, and Angela Washko utilise a range of mechanics, from dice rolls and diary keeping to tumble towers and the recording of personal anecdotes, to encourage new approaches to immersive play.
Original displays by Amanda Lee Franck, Tom K Kemp with Patrick Stuart, Scrap Princess, and Andrew Walter and Shuyi Zhang (Melsonia Arts Council) showcase the unique function of visual art within gaming imaginaries, in which image making moves beyond functional illustration into complex relationships with collaborative storytelling.
An original essay-film by the curators, produced in collaboration with Adam Sinclair and Lotti Closs, explores the shared experience of game space as a site of hallucinatory possibility.
Reactor Halls, an experimental programme of live performance, film and music events curated by Reactor, are a supporting partner of this exhibition.
Press
Angela Washko is an artist, filmmaker, and experimental game developer who creates new forums for discussions about feminism in spaces frequently hostile towards it. Her practice spans interventions in virtual environments, performance art, media installation, documentary film, and video games. A recipient of the United States Artists Fellowship, Creative Capital Award, Franklin Furnace Performance Fund, Impact Award at Indiecade, and Jury Awards for Best Documentary at the American Film Festival, San Francisco Documentary Film Festival, and Buffalo International Film Festival, Washko’s practice has been highlighted in The New Yorker, Frieze Magazine, Time Magazine, The Guardian, ArtForum, The Los Angeles Times, Art in America, The New York Times and more. Her projects have been presented internationally at venues including Museum of the Moving Image, Los Angeles Museum of Contemporary Art, the Milan Design Triennale, and the Shenzhen Animation Biennial.
Angela Washko is the Catherine B. Heller Collegiate Professor of Art & Design at University of Michigan where she founded the Roleplaying Realities Lab. This is a space for performers, creative technologists, game developers, writers, and grassroots activists to come together and simulate more inclusive, visionary, and radical prospective worlds through socially and politically engaged tabletop roleplaying projects made for and by those who have been historically marginalised from the mainstream games industry.
Andrew Walter is an illustrator and writer in the field of indie tabletop roleplaying games, primarily within the science fiction and fantasy genres. He graduated with a BA in Illustration from Kingston in 2007 and has lived and worked in London since. The majority of his work is in physical media such as pencil, inks and watercolour, a consequence of inspiration drawn from the rugged worlds of pulp fantasy paperbacks, classic RPG and computer game art, and underground death metal artwork.
His best known illustrated works include covers and illustrations for B/X Essentials (later to become Old School Essentials), the original Dolmenwood setting zines, Fever Swamp, and Slate and Chalcedony. Some of his published writing for RPGs includes Fronds of Benevolence, Whalgravaak’s Warehouse and Slipgate Chokepoint all of which are also illustrated by the author. He was listed as an Artist of Note in Stu Horvath’s acclaimed 2023 survey of independent roleplaying games Monsters, Aliens and Holes in the Ground.
Amanda Lee Franck is an artist and writer living in Chicago. She studied painting and natural history illustration and has spent many hours drawing the dinosaur bones at the Field Museum of Natural History. The first RPG she ever ran (and first zine she ever published) was You Got a Job on the Garbage Barge. She has written and illustrated books for Games Omnivorous, Gauntlet RPG, Exalted Funeral Press, Mausritter, and many others.
Chris Bissette is an award-winning multidisciplinary creative whose practice encompasses writing, music, and graphic design. Although they primarily work within the field of tabletop role-playing games his career has seen them produce music videos and score films, and in 2025 they will be composing music for the upcoming Mörk Borg video game.
In 2024 Chris was commissioned to write an adventure for Paizo’s Pathfinder Society line and provided the score for the short horror film One Star Review. In 2023 they helped facilitate the Storytelling Collective’s TTRPG Reading Club. They have written adventures and supplements for Pathfinder 2, Fallout: The Roleplaying Game, Hunter: The Reckoning, and many more, and contributed two albums of original music to SoulMuppet’s Orbital Blues and its expansion Orbital Blues: Afterburn. In 2020 his solo journaling game The Wretched was released to popular and critical acclaim, appearing on multiple end-of-year lists and spawning hundreds of new games based on its Wretched & Alone engine. In the same year he was chosen as one of the Storytelling Collective’s inaugural Creative Laureates, and was asked to write a set of lessons about adventure design for their students.
Chris’ work has been shortlisted for the Origins Awards and nominated for the ENnie Awards. They are a member of the SFWA, where he is an active member of the Game Writing Committee.
David Blandy (he / him) is an artist examining global structures of control and networks of resistance, in areas as diverse as ecology, history, science and arenas of play. He makes videos, games, sound and ephemera, deconstructing forms to put them back together again.
Blandy searches for meaning in cultural life, through an expanded form of auto-anthropology, sifting through multiple forms of archive, from historic texts to academic archives, archaeology and ecological theory, twitch streams and film archives, weaving poetic works that explore the complexities of the contemporary subject. Perhaps it’s hubris, but he wants to build complex stories that sketch out a future of interdependence, through visual poetry and immersive play.
Represented by Seventeen Gallery, London. His films are distributed by LUX, London.
He has exhibited and performed at venues nationally and worldwide, with solo shows at John Hansard Gallery, Southampton; Towner Gallery, Eastbourne; Focal Point Gallery, Southend-on-Sea; The Baltic, Gateshead; Turner Contemporary, Margate; Spike Island, Bristol; The Exchange, Newlyn; Künstlerhaus Stuttgart, Germany. Blandy has also exhibited in museums internationally including at Serpentine Gallery, London; 21st Century Museum of Contemporary Art, Kanazawa; Art Tower Mito, Tokyo; Kiasma Contemporary Art Museum, Helsinki; Tate Modern, London; & MoMA PS1, New York. Alongside writer and publisher Jamie Sutcliffe and curator Rebecca Edwards, Blandy curated Areas Of Effect: Planar Systems, Critical Roles, and Gaming Imaginaries, a symposium and live play session at Arebyte London. He also has a collaborative joint practice with artist Larry Achiampong. Genetic Automata, at Wellcome Collection was their first museum exhibition as a duo.
Laurie O’Connel of Twelve Pins Press is a London-based writer who writes fiction and game texts about broken systems, adaptation and resistance. You can find Laurie online or follow him on Bluesky.
With a loose, haphazard, gestural style often veering on the edge of self destruction, recognizable as it is metamorphic, Scrap has inflicted this approach on everything from stages, carparks, junk materials, clothing, tape recordings and human skin.
Gamebooks, specifically the broke and baroque scenes of DIY rpgs, have been a viable substrate for Scrap, and he’s now drawn in several books. More than several even. Several several.
Shuyi Zhang is an artist, exhibition designer, and bookshop owner who has accidentally become intimately familiar with every process in the life of a book. He began his education in architecture where he explored his passion for design and drawing, but once he stepped into the fantasy world he found he could explore a lot more than buildings. A mixed use of media with pencil, ink, and watercolour is his main preference, creating a soft fantasy world of his own.
His best known work is Fungi of the Far Realms, a book about a fantasy mushroom world. He has also worked on a variety of books published by Melsonian Arts Council, including Troika! RPG. He is currently working on a comic series Stay!.
Tom K Kemp employs roleplaying game design, animation, and filmmaking to tell collaborative ghost stories about complexity and the humans who constitute it. Working through the roleplaying game form to combine political simulation and speculative analysis into semi-improvised group storytelling, participants are invited to parse systems, complicate common narratives, and synthesise an array of knowledges into plot, dialogue, diagram and performance.
By conflating global systems, political metaphor and organisational infrastructure with genre fiction, players’ personal experience and ludic tangents, his works attempt an evocation of the emancipatory weirdness of group agency and the unintended consequences of making models of the world.
He has exhibited at La Casa Encendida, Madrid, EYE Filmmuseum, Amsterdam, Quad, Derby and the MKG Hamburg. He has attended residencies at the Rijksakademie van Beeldende Kunsten, Amsterdam, Triangle-Astérides Marseille, Cité International des Arts, Paris and Rupert, Vilnius.
Zedeck Siew is a writer, translator, and game designer based in Port Dickson, Malaysia. With visual artist Sharon Chin, he created Creatures of Near Kingdoms, an illustrated guide to imaginary Malaysian animals and plants. He writes adventure texts for tabletop roleplaying games – most notably Lorn Song of the Bachelor (2019); Spy in the House of Eth (2020); Reach of the Roach God (2023), and To Put Away A Sword (2024). He is slowly being poisoned by a petroleum refinery 200m from his garden, and worries often about family ghosts.
David Blandy (he / him) is an artist examining global structures of control and networks of resistance, in areas as diverse as ecology, history, science and arenas of play. He makes videos, games, sound and ephemera, deconstructing forms to put them back together again.
Blandy searches for meaning in cultural life, through an expanded form of auto-anthropology, sifting through multiple forms of archive, from historic texts to academic archives, archaeology and ecological theory, twitch streams and film archives, weaving poetic works that explore the complexities of the contemporary subject. Perhaps it’s hubris, but he wants to build complex stories that sketch out a future of interdependence, through visual poetry and immersive play.
Represented by Seventeen Gallery, London. His films are distributed by LUX, London.
He has exhibited and performed at venues nationally and worldwide, with solo shows at John Hansard Gallery, Southampton; Towner Gallery, Eastbourne; Focal Point Gallery, Southend-on-Sea; The Baltic, Gateshead; Turner Contemporary, Margate; Spike Island, Bristol; The Exchange, Newlyn; Künstlerhaus Stuttgart, Germany. Blandy has also exhibited in museums internationally including at Serpentine Gallery, London; 21st Century Museum of Contemporary Art, Kanazawa; Art Tower Mito, Tokyo; Kiasma Contemporary Art Museum, Helsinki; Tate Modern, London; & MoMA PS1, New York. Alongside writer and publisher Jamie Sutcliffe and curator Rebecca Edwards, Blandy curated Areas Of Effect: Planar Systems, Critical Roles, and Gaming Imaginaries, a symposium and live play session at Arebyte London. He also has a collaborative joint practice with artist Larry Achiampong. Genetic Automata, at Wellcome Collection was their first museum exhibition as a duo.
Rebecca Edwards is a London based curator, writer and producer. Her interests include cultivating experimental curatorial methods, interweaving fluid approaches to production, dissemination and representation of artwork, and exploring the nested fields of technology, digital aesthetics and internet culture. Rebecca was the curator at arebyte Gallery from 2017 – 2024.
Jamie Sutcliffe is a writer, curator, and co-director of Strange Attractor Press.
His work explores artistic encounters with science fictive fabulation, the politics of gaming, animation and its multiple entanglements with developments in the life sciences, haunted media, and the persistence of myth, all understood as technologies of selfhood.
His essays, interviews and reviews have been published internationally by Art Monthly, Art Review, e-flux Criticism, Frieze, Rhizome and The White Review.
He is the editor of Documents Of Contemporary Art: Magic, published by The Whitechapel Gallery and The MIT Press, and co-editor of Weeb Theory, a collection of theoretical resources for artists encountering the intermedial fan cultures of animation.
Adam Sinclair has specialised in 3D modelling and animation for real time environments and video work since 2007. He has worked in close collaboration with some of the UK’s most prominent artists. These include Ed Atkins, Helen Marten (2016 Turner prize winner), Elizabeth Price (2012 Turner prize winner) and Tai Shani (2019 Turner Prize Winner). Adam’s collaborative work has been displayed in many locations around the world including the museum of modern art – New York, the Venice Biennale, and Palais de Tokyo – Paris. He has helped artists use new technology to create interactive and immersive experiences.
Lotti V Closs (B. Whitstable 1987) lives and works in Manchester, UK.
She studied MFA Sculpture at West Dean College graduating in 2014, and has exhibited nationally and internationally. Her multi-disciplinary sculptural practice has a core of intuitive, introspective making, working closely by hand with elements of intimate scale. Her work reflects key themes of complexities of play and relationship through material conversation which often straddle both the domestic and the theatrical.
Image: Andrew Walter, courtesy the artist.
Social Resource Project for Tennis Clubs is a solo exhibition by artist Stephen Willats.
A pioneer of international conceptual art, Stephen Willats has spent six decades concentrating on ideas that today are ever-present in contemporary art: communication, social engagement, active spectatorship, and self-organisation.
During the early 1970s, while living in Nottingham and teaching at the Nottingham College of Art and Design (now Nottingham Trent University), Willats began several interactive projects exploring the relationship between artist and audience, and people in private and public space. Social Resource Project for Tennis Clubs (1971/2) saw him work with four tennis clubs in the city – all socially, economically and physical separate – with the idea of uniting different social groups within a shared process.
This exhibition features artwork and archive materials from Social Resource Project for Tennis Clubs, on loan to Bonington Gallery from Nottingham City Museums & Galleries. Accompanying it is a new film and photographic series created during the artist’s recent visits to the original tennis clubs, and work produced during Willats’ early years in Nottingham that proved influential to his subsequent career.
Join us for a restaging of the Tennis Tournament that happened at the conclusion of the original project, taking place on the launch day of this exhibition. Stephen will work with members of The Park Tennis Club to re-model the game of tennis based on their reasons for joining the club – using this site and experience as a simulation of a transformed society.
Header image credit: Stephen Willats, Tennis Super Girls, 1971/72
For six decades, Stephen Willats (born in London in 1943) has concentrated on ideas that today are ever-present in contemporary art: communication, social engagement, active spectatorship and self-organisation, and has initiated many seminal multi-media art projects. He has situated his pioneering practice at the intersection between art and other disciplines such as cybernetics – the hybrid post-war science of communication – advertising, systems research, learning theory, communications theory and computer technology. In so doing, he has constructed and developed a collaborative, interactive and participatory practice grounded in the variables of social relationships, settings and physical realities. Rather than presenting visitors with icons of certainty he creates a random, complex environment which stimulates visitors to engage in their own creative process.
Willats has exhibited internationally and his work can be found in public collections held by Tate, Arts Council England and The Victoria and Albert Museum.
Read LeftLion’s review
Read Studio International’s review
Read Design Week’s review
Featured in Art Monthly’s December-January issue
Audio/visual invites conversations about the significance and impact of visual communication (art, design, imagery, media, advertising, maps) and audio communication through music, but also the impact of language choice, and conversation. Events in this segment foreground meaning conveyed by music and art, and invite attention to global artists working in experimental ways with sound and the visual arts.
The Formations programme is an online series of free, public events led by the Postcolonial Studies Centre at Nottingham Trent University in collaboration with Bonington Gallery. The series foregrounds the work of underrepresented writers, academics, artists, intellectuals and activists worldwide who address inequalities of all kinds, often bringing people from different places and working practices together for important conversations.
Friday 6 May 2022, 7 – 8 pm
Ever wondered how you might increase your understanding of cinema? This one-off workshop will offer you the chance to examine films and their content more clearly, giving you the tools to analyse movies and their messages. Including plenty of clips, case studies, and discussion, we will deconstruct imagery, character and visual metaphor affording you the opportunity to appreciate Hollywood and beyond with a deeper understanding of the film making craft.
This workshop is online via Microsoft Teams, spaces are limited.
Wednesday 11 May 2022, 7 – 8 pm
In this online event, artist Kate McMillan will be talking about various projects exploring the postcolonial legacies of former penal colonies, prison islands alongside the ongoing use of extraterritorial detention by countries such as Australia and the United States. We will be talking about of the notion of ‘listening with my feet’ – listening as a decolonial tool on contested ground, and the influence of indigenous thinking on McMillan growing up in Australia. We will also explore McMillan’s collaborative work with Cat Hope considering ways in which systemic silencing of those both displaced and detained as part of colonial and neocolonial modes of government might be listened to differently.
Watch this event on the Bonington Gallery YouTube channel.
Wednesday 15 June 2022, 7 – 8.30 pm
Join us for an evening of music with The Venus Bushfires, interluded with a conversation with Bethan Evans.
The Venus Bushfires is a creative collective of one and many, of which Helen Epega is the only constant member. The Nigerian-British singer-songwriter, composer and performance artist explores the ethereal sounds of the ‘hang’, the power of the talking drum and the quirks of children’s toys cross-fertilising multiple visual and musical styles.
This event will take place at Bonington Gallery.
Watch this event on the Bonington Gallery YouTube channel.
Friday 24 June 2022, 7 – 8 pm
Join us to hear Leone Ross read from her latest novel, This One Sky Day, in discussion with Bethan Evans.
Leone Ross is a novelist, short story writer, editor/copy-editor, and reviewer of fiction. She was born in Coventry England, and when she was six years old migrated with her mother to Jamaica, where she was raised and educated. After graduating from the University of the West Indies in 1990, Ross returned to England to complete a Master’s degree in International Journalism at City University, in London, where she now lives. Ross’s writing is genre-bending and world-tilting, revelling in the magical realist and surrealist.
10 randomly selected people signed up to the event will receive a free copy of This One Sky Day. This event will be online via YouTube Live.
Watch this event on the Bonington Gallery YouTube channel.
Following a call for papers last year, we are delighted to announce that the Building Bridges Conference will take place from the 4 – 7 April 2022. The conference is part of the Formations programme run by researchers from the Postcolonial Study Centre at Nottingham Trent University and Bonington Gallery.
Hosting a wide range of presenters from across the globe, papers explore contemporary topical issues of decolonisation and its socio-political structures. The conference is open to discussions and deconstructions of long-held dominant ideologies and narratives which function to sustain the invisibility of colonial and empirical legacies in the contemporary world. Building Bridges aims to highlight alternative ways of thinking about the world and alternative forms of political practices. By thinking critically about the need to unbuild, to deconstruct, and to destabilise the kind of connections and structures that uphold Eurocentric and colonial frames of reference as ‘universal’, we seek to upend stories of encounter and demonstrate the pervasive influence of conquest narratives in the present day. We are delighted to confirm that our keynote speakers are Professor Avtar Brah and Dr Sophie Chao.
The conference will feature a reading from Leone Ross, from her new novel This One Sky Day. The reading will be followed by a Q&A session with the writer, discussing her writing process and her thoughts on creative form in a postcolonial world.
Take a look at the full conference programme.
9.45 – 11 am
This presentation will be a both theoretical and political engagement with concepts such as ‘Decolonial’ and ‘Intersectionality’ and how these concepts assume new meanings through their articulation. It will attend to particular instances in and through which they have mapped the social ground of feminist and egalitarian imaginaries.
Watch on the Bonington Gallery YouTube channel.
12 – 1.30 pm
Participants: Marietta Kosma, Daniel Yaw Fiaveh, Ndiweteko Jennifer Nghishitende and Lede E Miki Pohshna
Watch on the Bonington Gallery YouTube channel.
2.30 – 4 pm
Participants: Isabel Arce Zelada, Rajbir Samal & Binod Mishra, Ghosun Baaqeel and Victoria V. Chang
Watch on the Bonington Gallery YouTube channel.
8.45 – 10 am
In this talk, Dr Chao will draw on her collaborative research with Samoan scholar and Lefaoali’i (High Talking Chief) Dion Enari to explore how transdisciplinary, experimental, and decolonial imaginaries can help us better understand and address environmental destruction and social injustice in an epoch of planetary undoing. Such imaginaries must account for the perspectives, interests, and existences of both human and beyond-human communities of life.
Watch on the Bonington Gallery YouTube channel.
11 am – 12.30 pm
Participants: Shifana P A & Dr Asha Susan Jacob, Md Alamgir Hossain, Bianca Cherechés and Chithira James & Dr Reju George Mathew
Watch on the Bonington Gallery YouTube channel.
1.30 – 3 pm
Participants: Badakynti Nylla Iangngap, Catherine Price, Dr Md Abu Shahid Abdullah and Swapnit Pradhan & Dr Nagendra Kumar
Watch on the Bonington Gallery YouTube channel.
9.45 – 11.30 am
Participants: Atilio Barreda II, Nabeela Musthafa, Dr Opeloge Ah Sam and Sara Bdeir
Watch on the Bonington Gallery YouTube channel.
12.30 – 2 pm
Participants: Shifana P A & Dr Asha Susan Jacob, Md Alamgir Hossain, Bianca Cherechés and Chithira James & Dr Reju George Mathew
Watch on the Bonington Gallery YouTube channel.
11.15 am – 12.30 pm
Leone Ross will read from her new novel, This One Sky Day, and will talk to Bethan Evans and the audience about her writing process and decolonisation.
Watch on the Bonington Gallery YouTube channel.
1.30 – 3 pm
Participants: Carolina Buffoli, Marine Berthiot, Dr Rachel Gregory Fox and Dr Yasmin Rioux
Watch on the Bonington Gallery YouTube channel.
For more information visit the Building Bridges conference website and follow Building Bridges on Twitter.
on Twitter @buildbridgesntu.
Destiny Ekaragha once said that Black British filmmakers were not expected to make films about ordinary family stories and everyday things – like love. This segment foregrounds the transformative nature of the everyday feeling of love in art, writing, and research, while it also helps us to think about how the concept of love is defined, understood, and restricted, if love is understood and represented in limited ways. The free, online events in this segment consider the expression, meaning, contexts, and impact of love by exploring the work of artists, writers and thinkers, emphasising questions of gender, sexuality, race, and culture.
The segment begins with a conversation between Eve Makis and Young Adult fiction writer Nicola Garrard, whose novel about love and canal journeys 29 Locks was recently published by HopeRoad, one of the publishers that we work with very often at the Postcolonial Studies Centre. Later in the segment, we are very excited to welcome Ferdinand Dennis to NTU. His on-campus event with Black Writing in Britain students and book signing will be recorded for a special film event for Formations. Other events in the segment include Formations ‘visits’ to Becky Cullen’s WRAP (Writing, Reading and Pleasure) to join her event with writer Musa Okwonga. In addition, Tom Lockwood-Moran hosts a fascinating book reading and discussion event on the Power of Queer Caribbean Love with Indo-Trinidadian poet Shivanee Ramlochan.
The Formations programme is an online series of free, public events led by the Postcolonial Studies Centre at Nottingham Trent University in collaboration with Bonington Gallery. The series foregrounds the work of underrepresented writers, academics, artists, intellectuals and activists worldwide who address inequalities of all kinds, often bringing people from different places and working practices together for important conversations.
Tuesday 1 February 2022, 6.30 – 7.30 pm
This free event is a must for anyone who reads Young Adult fiction or has an interest in writing for young people. Nicola Garrard will be talking about her Young Adult novel, 29 Locks, an unflinching depiction of urban teen life in London. The book was shortlisted in the Lucy Cavendish Fiction Prize and the Mslexia Children’s Novel Competition. She will be reading from the book and answering audience questions. Hosted by Eve Makis.
You can purchase Nicola Garrard’s newly published novel online.
Watch on Bonington Gallery’s YouTube channel.
Wednesday 9 February 2022, 1 – 2 pm
Formations is joining NTU’s English Research Seminar series to welcome researcher Jennifer Leetsch who will talk about her recently published book, Love and Space in Contemporary African Diasporic Women’s Writing.
The book combines careful literary analyses with in-depth discussions of cultural and socio-historical contexts by considering the world-making powers of the old novel form in the third millennium as well as the formative effect of new digital media.
Email Jenni Ramone to reserve your free place. You’ll be sent a link to the Teams meeting and further instructions on how to join.
Wednesday 16 February 2022, 6 – 7.30 pm
Bonington Gallery and NTU’s Postcolonial Studies Centre warmly invite all queer lovers, and allied others, to a belated valentine date: diving the depths with Indo-Trinidadian poet Shivanee Ramlochan. The evening will include readings from Ramlochan’s striking first collection, Everyone Knows I am a Haunting (2017), plus exclusive new writing, and a discussion contextualising queerness and literary Caribbeanness, with NTU literary researcher Thomas Lockwood-Moran (Midlands4Cities-funded doctoral candidate). This discussion seeks to invoke public engagement, which will be heartily welcomed, to empower an exploration of queer love —love of others and crucial self-love. Never avoiding the harsh global realities of oppression and its traumas experienced by queer persons, always multiplied for queer persons of colour, this event will consider the literary throb of Ramlochan’s queer heart as a stalwart shield against colonial oppressions past, present and into the future.
The first 20 Eventbrite sign-ups for this event will receive a free copy of Ramlochan’s stunning poetic spectre Everyone Knows I am a Haunting (2017).
All Eventbrite sign-ups will receive a 20% discount code for Ramlochan’s poetry collection via Pepal Tree Press.
Watch on Bonington Gallery’s YouTube channel.
Wednesday 23 February 2022, 6.30 – 8 pm
Let us find the ways in which fresh perspectives can make love intimate or silly, surprising or sexy, romantic or sarcastic in our writing. In this generative workshop we will be looking at examples of contemporary poetry and flash fiction that will dispel any clichés and energise rehashed ideas you may have on the subject. You will be given prompts to write your unique pieces.
Open to all skill levels.
Tuesday 5 April 2022, 6.30 – 8 pm
Back by popular demand, Nora Nadjarian will be leading a second workshop on how to write about ‘love’. As before, you will be encouraged to approach the subject in fresh and surprising ways, and given prompts to write your unique pieces. The generative workshop will give insight into contemporary poetry and short fiction and energise rehashed ideas you may have on the subject of “love”.
Open to all skill levels, and limited to 20 participants.
Saturday 19 March, 10:30 am – 12 noon
Following Rita’s hugely popular [online] doll-making workshop in 2021, we are very pleased to welcome Rita back to deliver an in person workshop. In this workshop, you can make your own Empowerment Doll using a range of common materials. Advance registration is required and all materials will be provided on the day. The workshop is open to all, and may be of particular interest to young people age 8-12; younger children supported by an adult; or adults and older children with an interest in dollmaking, textiles, fabrics, or art. All children under 16 must be accompanied by a parent/guardian.
Places are limited to 20 participants.
Thursday 24 March 2022, 6 – 7.30 pm
In this free, livestreamed event, Formations audiences will be able to watch critically acclaimed author Ferdinand Dennis‘ visit to NTU English students from the ‘Black Writing in Britain’ module. Ferdinand will read from his newly published collection of short stories, The Black and White Museum, and discuss his work, life, and career.
From Ferdinand Dennis, the critically acclaimed author of the novel Duppy Conqueror, comes The Black and White Museum, a collection of both highly personal and universal short stories. These at their heart reveal the emotional drama of faded love, the loss of individual and shared memory and the wistful longing for home. His stories powerfully portray the black presence in post-Windrush London, with its hurtling gentrification and everyday racism. Ferdinand’s characters gain wisdom and maturity with age but become powerless, as they are less able to change the course of their lives. For some there is the temptation of a return “home” but home, like London, has also moved on and is not the paradise of their memories.
Watch on the Bonington Gallery YouTube channel.
Tuesday 29 March 2022, 7 – 8.30 pm
Musa Okwonga joins Dr Becky Cullen for a discussion about his path from an Eton scholarship, Oxford and the Law, to being a Berlin-based writer with a passion for football. Musa will also be talking about poetry, music, and his fabulous new novel In the End, It Was All About Love. Published by Rough Trade, the book is our WRAP spring title and February’s Notts TV Book Club choice. They’ll also be talking about Musa’s football blog and podcast Stadio and Striking Out, his book collaboration with Arsenal legend Ian Wright
Watch WRAP Live with Musa Okwonga on YouTube.
The Formations programme is led by the Postcolonial Studies Centre at Nottingham Trent University in collaboration with Bonington Gallery. The series foregrounds the work of underrepresented writers, academics, artists, intellectuals and activists worldwide who address inequalities of all kinds, often bringing people from different places and working practices together for important conversations.
The first segment of our 2021-22 Formations programme pays attention to the concept of indigeneity, and to indigenous people, communities, landscapes, artists, writers, and groups. Often considered controversial and closely associated with activism and protest related to rights and land access, indigenous artists and writers are creating some of the most innovative work and asking important questions about sustainability of all forms in New Zealand, Australia, Pacific Islands, Northern Europe, and North and South America. This segment brings together creative work by indigenous writers and artists from separate locations, to forge conversations about the ways in which indigenous scholarship, activism, and creativity is central to global questions of inequality.
Formations events in this segment include a special online screening of In My Blood it Runs, an award-winning collaborative documentary that illustrates what it means to grow up as an Indigenous person in Australia through the story of Dujuan Hoosan, a ten-year-old Arrernte healer living in Alice Springs. Two special events are inspired by this film: a conversation between three researchers undertaking work on indigeneity and indigenous art, writing, and film worldwide: Ngahuia Harrison (University of Auckland), Valentina De Riso (NTU) and Dani-Louise Olver (NTU), and a Creative Writing workshop led by novelist Eve Makis.
Eve Makis also leads two connected events with award-winning writer and poet André Naffis-Sahely, who is in conversation and reading from his work with Eve Makis and Rory Waterman, and then leads a Creative Writing workshop with Eve Makis.
Finally, in this segment Formations hosts students from Nottingham Trent University’s second year English and Creative Writing module, Literary Cultures, led by Jenni Ramone. This year, students deliver a conference with contributors from NTU and their collaborative partners, students from Kwantlen Polytechnic University in British Columbia, Canada. The conference is titled ‘Land of Hope and Toil’, and through guest speaker sessions, talks, and workshops, addresses the diversity of Canadian Literature, considering migrant and indigenous Canadian literature as well as literature written by English and French language settler communities.
Tuesday 30 November 2021, 6 – 7 pm. Followed by a bookable workshop.
While half the world swept west,
we trickled eastward, one by one,
single-file, like fugitives. Next stop:
Abu Dhabi, where my father had a job,and money, for the first time in years . . .
Andre Naffis-Sahely
Raised in Abu Dhabi, by an Iranian father and Italian mother, André’s work is informed by his travels and his cultural inheritance. His work described as clear-eyed, emotionally charged and infused with an acute sense of justice. The Los Angeles-based poet will be talking to us about his life, travels, world view and writing practice. He will be in conversation with the poet, Rory Waterman, and the writer, Eve Makis.
Click here to watch via our Youtube
The talk will be followed by an hour-long writing workshop at 7.15pm led by André on cultural recipe poems. Attendees will be encouraged to write about a dish that is culturally significant to them under André’s expert guidance. Information and booking link below.
Following the conversation event this evening, you are invited to participate in an hour-long writing workshop at 7.15pm led by André on cultural recipe poems. Attendees will be encouraged to write about a dish that is culturally significant to them under André’s expert guidance.
Places on the workshop will be limited so please book early.
All levels welcome.
Wednesday 1 December 2021
Formations hosts students from Nottingham Trent University’s second year English and Creative Writing module, Literary Cultures, led by Jenni Ramone. This year, students deliver a conference with contributors from NTU and their collaborative partners, students from Kwantlen Polytechnic University in British Columbia, Canada. The conference is titled Land of Hope and Toil, and through guest speaker sessions, talks, and workshops, addresses the diversity of Canadian Literature, considering migrant and indigenous Canadian literature as well as literature written by English and French language settler communities.
A full programme can be found here.
Click here to watch via our Youtube
Monday 22 November – Friday 31 December
Formations invites you to watch In My Blood it Runs and to take part in the related Conversation event and Creative Writing workshop inspired by the film.
Ten-year-old Dujuan is a child-healer, a good hunter and speaks three languages. As he shares his wisdom of history and the complex world around him we see his spark and intelligence. Yet Dujuan is ‘failing’ in school and facing increasing scrutiny from welfare and the police. As he travels perilously close to incarceration, his family fight to give him a strong Arrernte education alongside his western education lest he becomes another statistic. We walk with him as he grapples with these pressures, shares his truths and somewhere in-between finds space to dream, imagine and hope for his future self.
For more information, resources, and interviews with the cast, see the film’s official website: www.inmyblooditruns.com
Read a review of the film written by Rebecca Rees, BA (Hons) Creative Writing (year 1), Nottingham Trent University here.
Thursday 9 December 7-8pm
In My Blood It Runs is a collaborative documentary that illustrates what it means to grow up as an Indigenous person in Australia through the story of Dujuan Hoosan, a ten-year-old Arrernte healer living in Alice Springs. Dujuan’s wisdom is cherished by his family and tribe, but he struggles in school and faces increasing surveillance from the child welfare and the police. Doctoral researchers Dani Louise Olver (Nottingham Trent University), Ngahuia Harrison (University of Auckland), and Valentina de Riso (Nottingham Trent University) discuss the film in the broader context of Indigenous studies with attention paid to topics of education, justice, history, memory, language, and Indigenous resistance.
For more information, resources, and interviews with the cast, see the film’s official website: www.inmyblooditruns.com
Click here to watch via our YouTube
Thursday 16 December 6 – 7 pm
Writing for young people is a constant exploration of the points where a character’s ordinary world and the reader’s ordinary world intersects. Candy Gourlay will briefly discuss the concept of the “ordinary world” in fiction and break down how she built her indigenous characters from historical readings and contemporary insight.
This reading and conversation event is followed by a creative writing workshop with Candy Gourlay and Eve Makis, limited to 20 participants.
Click here to watch via our YouTube
Thursday 16 December 7:15 – 8:15 pm
Eve Makis invites you to join Candy Gourlay and take part in a Creative Writing workshop inspired by the film that we are screening as part of the Formations segment which pays attention to indigeneity and to Indigenous artists and writers worldwide.
Writing for young people is a constant exploration of the points where a character’s ordinary world and the reader’s ordinary world intersects. Candy Gourlay will briefly discuss the concept of the “ordinary world” in fiction and break down how she built her indigenous characters from historical readings and contemporary insight. Using some research Candy is doing on her current novel, participants will write a short scene under time pressure, share, and discuss.
For more information, resources, and interviews with the cast, see the film’s official website: www.inmyblooditruns.com
We’re delighted to welcome artist Andrew Logan and designer Dame Zandra Rhodes for the first public in-conversation event of our new ‘Foundations’ series, delivered in partnership by Nottingham Trent University and Nottingham Contemporary.
Self-proclaimed maximalists Andrew and Zandra met in 1972 at Andrew’s inaugural Alternative Miss World contest, the alternative beauty pageant that him and his team still run to this day. The two soon became close friends and have since travelled the world together, collaborated with each other, and share many of the friends that were so influential in early 70s and 80s British culture and sub-culture.
Join us for the rare opportunity to hear these two iconic figures of art and design talk openly and candidly about the early and influential moments in each of their careers.
This event coincides with our current exhibition Andrew Logan’s The Joy of Sculpture.
Watch Foundations: Andrew Logan and Zandra Rhodes on YouTube.
Register for your free place to watch this event in person at Nottingham Trent University’s City Campus, or to tune into the livestream if you can’t make it to Nottingham.
Foundations explores the formative moments in practitioners’ careers. It’s about the relationship between artists, art schools and the wider world.
A new collaboration between Nottingham Contemporary and Nottingham Trent University, this series hosts conversations between acclaimed artists, designers, musicians, filmmakers and architects. Intended to both inform and inspire, Foundations will pose questions such as: Can art be taught? What next for cultural education? What do we mean by experimentation? What and how can we learn from artists? And vice-versa?
Building on the art-school tradition of open-ended dialogue and experimentation, these free events are open to practitioners, students and the public. We plan for all events to take place in person, and to be livestreamed and live captioned; audience contributions will play a central role.
Sculptor, painter and jewellery artist Andrew Logan is one of Britain’s most iconic artists, known for challenging convention, mixing media and playing with our artistic values. Andrew founded the Alternative Miss World contest in 1972, that soon became a meeting place for the leading cultural provocateurs of that time and subsequent years. Judges over the years included David Hockney, Ruby Wax, Leigh Bowery, Grayson Perry, and Zandra Rhodes.
Andrew has always maintained a prolific and dedicated artistic practice, reflecting his unrelenting, and infectious, passion, joy and energy. His established aesthetic utilises the transformation of smashed glass and found objects into flamboyant, colourful and glittering objects, of all shapes and sizes. Andrew has exhibited his work the world over, with several pieces now residing in major collections including the National Portrait Gallery and the Arts Council Collection.
Dame Zandra Rhodes has been a notorious figurehead of the UK fashion industry for five decades, celebrating her 50th year in fashion in September 2019 with a retrospective exhibition at the Fashion and Textile Museum – founded by Zandra – entitled Zandra Rhodes: 50 Years of Fabulous and a retrospective book published by Yale. Her notoriety as a print designer combined with an affinity for fine fabrics and colour has resulted in a signature aesthetic that is undeniably unique and continues to stand the test of time. A pioneer of the British and international fashion scene since the late 60’s, Zandra’s career has seen her collaborate with brands such as Valentino, Topshop and Mac Cosmetics. Continuing to collaborate with brands that inspire her, 2021 will see the launch of Zandra Rhodes x IKEA amongst many other exciting partnerships and projects
Image credit: Andrew Logan and Zandra Rhodes at Penny Stamp Lectures, photo by Chrisstina Hamilton
Join us in person or online for a free screening of The British Guide to Showing Off, a film documenting iconic artist Andrew Logan’s spectacular pageant The Alternative Miss World.
British artist and living legend Andrew Logan, loved the world over by celebrities and misfits alike, takes us under his glittering wing and inside his outrageous, anarchic and spectacular costume pageant: The Alternative Miss World. As the Show’s master of ceremonies and ringmaster, Logan is the high priest of an esteemed congregation. He describes the Show as his most important artwork; a fabulous living sculpture that spans forty years of arts and culture.
Combining observational footage, extensive archive material and exuberant animation, Jes Benstock’s fittingly outrageous documentary charts the mounting of the 2009 Show, interwoven with its history, the rise, fall and rediscovery, of both the event and the artist at its centre.
This free event accompanies the exhibition Andrew Logan: The Joy of Sculpture, which runs until 11 December 2021.
This free online talk is part of our ongoing public events programme Formations, led in partnership with the Postcolonial Studies Centre (PSC) at Nottingham Trent University (NTU).
Bonington Gallery and the PSC are very pleased to welcome back Dr Leila Kamali, following the talk she gave on John Edgar Wideman in October 2020. This event will be introduced by PSC co-director, Dr Jenni Ramone.
This talk will give a brief history of Black people’s presence in Britain which stretches all the way back to Roman times, and will offer education and resources for understanding the relationship between Britain and its populations of colour as a kind of continual historical pendulum. From Renaissance times, to the 18th century, to the post-Second World War period, Britain has again and again ‘invited’ people of colour to build the nation’s economic and cultural wealth, and simultaneously created conditions which exclude and dehumanise people of colour, and which foster and encourage racism. Whether in the time of Margaret Thatcher, the New Cross Fire and the repressive SUS laws, or in the wake of Brexit and the Black Lives Matter protests, Britain has a track-record of racial repression which supports and also precedes the racial violence more often popularly associated with the United States.
In 2020, the public murder of George Floyd caused the spotlight to be turned with a new sensitivity upon anti-Black racism. Now, in 2021, mixed conditions exist – the return of apathy at some level, the brief release again of racial hatred following the UEFA European Football Championship, and a right-wing politics which remains ascendant. This talk will ask questions about where we are situated historically in terms of anti-racist struggle, and in relation to what can be observed from the pendulum of history. Key suggestions will be thought through in terms of the kinds of anti-racist work which are most appropriate, and most likely to foster real inclusivity in Britain today, amidst the many social challenges currently facing us.
Watch on the Bonington Gallery YouTube channel.
Dr Leila Kamali is a literary scholar with specialisms in African American and Black British literature, diaspora, cultural memory and aesthetics. She has held research and lecturing roles at the African American Policy Forum, at the University of Liverpool, Goldsmiths University of London, and King’s College London. Her book The Cultural Memory of Africa in African American and Black British Fiction, 1970-2000 (Palgrave 2016) was named “boldly progressive” and “entirely original and provocative” by Professor Michelle M. Wright and Professor Paul Gilroy respectively. Her articles have been published in Callaloo, Obsidian, Kalfou, and Atlantic Studies, and she has chapters on ‘Diaspora’ in the volume Twenty-First Century Literary Fiction (Routledge 2019), and on Black Queer Poetry in With Fists Raised (Liverpool UP 2021). She is currently working on two monographs, one on the work of John Edgar Wideman, the other on the “inner life of Blackness”.
Take a glimpse into the glamorous past of the Alternative Miss World contests with a curated selection of original archival materials and never-before-seen footage, on display in the Bonington Vitrines.
Accompanying Andrew Logan’s solo exhibition The Joy of Sculpture in our main gallery, we are extremely pleased to present archive displays for the past Alternative Miss World contests in our Vitrines. A newly commissioned film by previous Bonington Gallery exhibitor and friend of Andrew, Dick Jewell, will feature alongside the displays, bringing together previously unseen footage (including rare 16mm film) of contests in 1985, 1991 and 2004.
Modelled upon the Crufts dog show, the Alternative Miss World contest is an art and fashion event founded and hosted by Andrew Logan. Andrew acts as both host and hostess for the show, as exemplified by the main promotional image for the exhibition taken by Mick Rock. This alternative beauty pageant has been held irregularly since 1972, most recently in 2018 in its 14th incarnation. Contestants and judges over the years have included David Hockney, Ruby Wax, Leigh Bowery, Grayson Perry, and Zandra Rhodes.
Special thank you to the Special Collections department at De Montford University, Leicester for the generous loan of archive materials.
Header image credit: Alternative Miss World poster, courtesy Special Collections department at De Montford University.
