Join us for a free, online talk between Irene Lusztig and Patricia Francis – part of the When I Dare to be Powerful conference.
Patricia Francis and filmmaker Irene Lusztig will explore and discuss the value of archive in bringing voices and their subjective truths from the past into the present. Irene will also show extracts from a couple of her films including her latest release, Richland.
This is the final in the series of online talks and podcast conversations we have been having as part of the When I Dare To Be Powerful in-person international conference.
Bio:
Irene Lusztig is a filmmaker, visual artist, archival researcher, and amateur seamstress. Her film and video work mines old images and technologies for new meanings in order to reframe, recuperate, and reanimate forgotten and neglected histories. Often beginning with rigorous research in archives, her work brings historical materials into conversation with the present day, inviting viewers to explore historical spaces as a way to contemplate larger questions of politics, ideology, and the production of personal, collective, and national memories. Much of Irene’s current work is centred on public feminism, language, and histories of women and women’s bodies, including her debut feature Reconstruction (2001) the feature length archival film essay The Motherhood Archives (2013) and the ongoing web-based Worry Box Project (2011).
Born in England to Romanian parents, Irene grew up in Boston and has lived in France, Italy, Romania, China, and Russia. Her work has been screened around the world, including at the Berlinale, MoMA, Museum of Fine Arts Boston, Anthology Film Archives, Pacific Film Archive, Flaherty NYC, IDFA Amsterdam, RIDM Montréal, Hot Docs, AFI Docs, and BFI London Film Festival and on television in the US, Europe, and Taiwan. She has received grants from the Massachusetts Foundation for the Humanities, Massachusetts Cultural Council, LEF Foundation, New York State Council for the Arts, and Sustainable Arts Foundation and has been awarded fellowships at the MacDowell Colony, the Flaherty Film Seminar, the Radcliffe Institute for Advanced Study, and Harvard’s Film Study Center. She is the 2016-17 recipient of a Rydell Visual Arts Fellowship and a Fulbright Fellowship in Portugal. She teaches filmmaking at UC Santa Cruz where she is Associate Professor of Film and Digital Media; she lives in the Santa Cruz Mountains.
When I Dare to be Powerful International Conference explores the idea of voice as an agent for change and act of resistance.
Click here to reserve your ticket for the free in person conference
When I Dare to be Powerful International Conference will bring filmmakers, artists, writers and activists together with conceptual thinkers and cultural theorists to answer pressing questions relating to voice as an agent of change.
Centred on voice as a lens through which we conceive of a social alterity that undermines current ideological dominance, we would like to invite proposals from academics, practitioners and activists interested in exploring coming to voice as an act of resistance. Has adequate progress been made in remedying the lived experience of minoritised people? How will social parity be achieved? Can dissent facilitate a space from which an alternative, socio-cultural narrative can thrive?
When I Dare To Be Powerful one-day conference offers a packed programme of events running up to and including the conference itself:
The conference period begins on 26th April and runs through to the one-day conference in June. Join us in the conversations relating to voice, around which our one-day conference is based.
The conference is free to attend and will take place in person on Wednesday 21st June 2023.
Visit our When I Dare To Be Powerful website to find our more about the conference timetable.
Join Ather Zia in conversation with with Amir Kaur Aujula-Jones and Trang Dang, as part of the When I Dare to be Powerful conference at Bonington Gallery.
Amir Kaur Aujla-Jones and Trang Dang are in conversation with Ather Zia about writing as a powerful tool to amplify the voices of women active in the Kashmir conflict. Their voices are often ignored in a dominant narrative that fails to give them agency and instead writes them as victims of the conflict.
This event is part of online talks series leading to the in-person conference When I Dare to be Powerful, on 21 June at Bonington Gallery. The international conference will bring filmmakers, artists, writers and activists, together with conceptual thinkers and cultural theorists in order to answer pressing questions relating to voice as an agent of change.
Bio:
Ather Zia, Ph.D., is a political anthropologist, poet, short fiction writer, and columnist. She is an Associate Professor in the Department of Anthropology and Gender Studies program at the University of Northern Colorado Greeley. Ather is the author of Resisting Disappearances: Military Occupation and Women’s Activism in Kashmir (June 2019) which won the 2020 Gloria Anzaldua Honorable Mention award, 2021 Public Anthropologist Award, and Advocate of the Year Award 2021. She has been featured in the Femilist 2021, a list of 100 women from the Global South working on critical issues. She is the co-editor of Can You Hear Kashmiri Women Speak (Women Unlimited 2020), Resisting Occupation in Kashmir (Upenn 2018) and A Desolation called Peace (Harper Collins, May 2019). She has published a poetry collection “The Frame” and another collection is forthcoming. Ather’s ethnographic poetry on Kashmir has won an award from the Society for Humanistic Anthropology. She is the founder-editor of Kashmir Lit and is the co-founder of Critical Kashmir Studies Collective, an interdisciplinary network of scholars working on the Kashmir region. Ather is also a co-editor of Cultural Anthropology.
Amir Kaur Aujla-Jones (she/her) has a BA (Hons) in History from the University of Sussex, a MA in Education from the University of Nottingham and a PhD in Sociology from Nottingham Trent University. Dr Aujla-Jones’s research has focused on race and gender equality using an intersectional lens. Her PhD thesis examined the lived experience of Black, Asian, and Mixed-race girls in predominantly white English secondary schools. Dr Aujla-Jones is part of Conscience Collective, an international network based in the UK aiming to extend understanding of climate and social justice.
Trang Dang (she/her) is a PhD researcher in literary studies at Nottingham Trent University, funded by NTU Studentship Scheme, and previously graduated from Oxford Brookes University with a BA and an MA in English Literature. Her PhD project focuses on Jeff VanderMeer’s weird fiction, exploring narratives of co-existence between humans and nonhumans and the role of new weird novels in portraying the current climate crisis. Her main research interests are contemporary literature, cli/sci-fi, critical theory, and continental philosophy. She has published on the topics of animal studies, American culture and politics, and the Anthropocene.
Professor Gus John and poet Yolanda Lear join Jenni Ramone’s Black Writing in Britain students and Formations audiences for a special event on the history of New Beacon Books and its place in the history of Black British publishing, writing, and activism.
Gus John discusses publishing, decolonisation, and the contemporary university. Yolanda Lear reads and discusses her poetry, and both speakers engage in conversation with English and Creative Writing students at NTU.
FORMATIONS is a public events series which foregrounds under-represented artists, writers, thinkers, and activists, run by NTU’s Postcolonial Studies Centre and Bonington Gallery.
Click here to reserve your spot at this free online event.
Biographies:
Professor Gus John is one of the co-founders of the Communities Empowerment Network – CEN. He is also a writer, education campaigner, consultant, lecturer and researcher.
He has worked extensively in the fields of education policy, management and international development and as a social analyst he specialises in social audits, change management, policy formulation and review, and programme evaluation and development.
Since the 1960s Gus has been visibly active in issues of education and schooling in Britain’s inner cities such as Manchester, Birmingham and London, and was the first black Director of Education and Leisure Services in Britain. Gus has also worked in a number of university settings, including as visiting Faculty Professor of Education at the University of Strathclyde in Glasgow, as an associate professor of education and honorary fellow of the London Centre for Leadership in Learning at the UCL Institute of Education, University of London and is a visiting professor at Coventry University.
A respected public speaker and media commentator, Gus works internationally as an executive coach and a management and social investment consultant. He is also a frequent contributor to the Guardian, writing on subjects including Windrush, universities and education, racism in UK institutions, and about Grenada, which is where he was born.
He is a Non-Executive Director for New Beacon Books, which was established in 1966, and is the only remaining independent Black publishing and bookselling entity in the UK. it has been central to the growth of the Black Education Movement, the Black Supplementary School Movement and current calls for the decolonisation of the curriculum.
Yolanda Lear is 28 years old. The project lead for Account Hackney, she is also a poet, an advocate for mental health, a community activist, public speaker, public rep, self-published author, youth leader and spoken word artist. Yolanda has a strong desire to create a positive change within her community and others. With her book, The Journey To An Undefeated Mind, and her workshop, she aims to empower, encourage, inspire and motivate others to take charge of their own paths in life, and help improve their own well-being.
Account Hackney is a youth-led Police Monitoring and Scrutiny Group based in Hackney. Holding the police to account, and empowering our community.
Instagram: @HackneyAccount
‘The Undefeated Mind’
Email: Info@theundefeatedmind.co.uk
Website: Theundefeatedmind.co.uk
Instagram: The_undefeatedmind
To coincide with Cedar Lewisohn’s solo exhibition earlier this year, Patois Banton, join us for a free online talk by Dr. Joseph T. Farquharson entitled Questioning Language and Knowledge: The Challenge to Creole-speaking Communities. This will be followed by a Q&A with Ramisha Rafique.
This event follows on from an in conversation with Cedar Lewisohn, Ioney Smallhorne and Honey Williams which can be watched here.
“That children learn best in their mother language, has been known for several decades. However, the application has been very slow in societies where the mother language of the majority is a Creole language. This is due to what I refer to as an epistemological blind spot emerging from what colonial and neo-colonial education determine to be (real) knowledge, and how those ideological systems designate the languages that are the vehicles of ‘real’ knowledge.
Given their historic low status, Creole languages like Jamaican, Haitian Creole, Barbadian, are therefore not seen as proper receptacles of knowledge. In an attempt to unpack the philosophy of language that drives this state of affairs, I explore the historical roots of these views, and the ways in which they undermine and stunt the production, dissemination, and development of indigenous forms of knowledge.” – Dr. Joseph T. Farquharson, Coordinator, Jamaican Language Unit
FORMATIONS is a public events series which foregrounds under-represented artists, writers, thinkers, and activists, run by NTU’s Postcolonial Studies Centre and Bonington Gallery.
Click here to reserve your spot at this free online event.
Biographies:
Dr. Joseph T. Farquharson is a Senior Lecturer in Linguistics at The University of the West Indies, Mona. Dr. Farquharson holds B.A. in Linguistics and Spanish and a Ph.D. in Linguistics from UWI, and an M.Phil. in European Literature (Spanish) from the University of Cambridge. He has been serving as the Coordinator of the Jamaican Language Unit (JLU) since August 2019 and is currently a member of the Communication & Information Advisory Committee of the Jamaica National Commission for UNESCO, and the Convenor of the subject panel for CAPE Communication Studies.
Ramisha Rafique is a PhD studentship funded PhD candidate at Nottingham Trent University. Her creative-critical doctoral thesis explores the ontology of the postcolonial flâneuse, considering class, language, religion, and global technological advancements. Her research interests include Islamophobia, British Muslim women’s writing, and flânerie.
Re-sensitised Symposium re-visits, reflects and re-lives the last seven years of the Sensitive Skin festival.
It brings together a diverse group of artists, all of whom have been part of the festival since its inception in 2000, pondering on the question ‘How has Sensitive Skin evolved over the past seven years and how has Live Art and Performance practice developed during that period?’
Offering talks, presentations, lectures and an “artists in conversation’ panel throughout the day, the event will culminate in a celebration closing this year’s festival, including two performances from Rajni Shah and Harminder Singh Judge.
Leibniz
Join Alison, Marina, and Andrew in conversation, discussing materials they have found in their research on European periodicals post-1945. At the heart of the project is a focus upon the practice of translation:
The Spaces of Translation project studies a small collection of important literary and cultural magazines from three countries (Britain, France, Germany) in order to consider how they explore and construct notions of European identity in the period from the end of the Second World War to the mid-1960s. The current exhibition at the Bonington explores a number of these issues and displays a range of original magazines from 1945-65. Alison, Marina, and Andrew will discuss some of the fascinating material they have found in their research so far.
The event will be chaired by Dr Annalise Grice, Department of English, NTU.
Alison E. Martin is Professor of British Studies, Johannes Gutenberg-Universität Mainz/Germersheim, Germany. She is a specialist in translation studies, travel writing and comparative literature. Her books include Nature Translated: Alexander von Humboldt’s Works in Nineteenth-Century Britain (2018) and Moving Scenes: The Aesthetics of German Travel Writing on England, 1783-1830 (2008), as well as two co-edited volumes, Travel Writing in Dutch and German, 1790-1930 (2017) and Travel Narratives in Translation, 1750-1830 (2012). Before coming to JGU, she taught at the University of Reading, Universiteit Hasselt, the Universität Kassel and the Martin-Luther-Universität Halle-Wittenberg. She is the German PI for the Spaces of Translation project on European magazines, 1945-65.
Marina Popea is a Research Fellow on the Spaces of Translation project, based at NTU. She specialises in translation and cultural magazines with a broad comparative focus. A Latin Americanist with an interdisciplinary background, she is completing an AHRC-funded PhD at Oxford University on the role of translation in shaping modern poetics in Mexican magazines of the early twentieth century. She is particularly interested in Digital Humanities and the methodological challenges of studying translation in the context of periodical publications.
Andrew Thacker is Professor of Twentieth Century Literature at NTU. He is the author or editor of several books on modernism and modernist magazines, including the three volumes of The Oxford Critical and Cultural History of Modernist Magazines (2009-13) and, most recently, Modernism, Space and the City (2019). He was a founder member and the first Chair of the British Association for Modernist Studies. He is the UK PI for the Spaces of Translation project on European magazines, 1945-65.
This free, online-in conversation event with writer Gogu Shyamala is part of our Formations series, hosted in partnership with Nottingham Trent University’s Postcolonial Studies Centre. This segment of Formations, CADALFEST, relates to the Celebrating Adivasi and Dalit Arts and Literature Festival (CADALFEST) taking place across India and in Nottingham. CADALFEST is the first international festival series dedicated to artists whose work creatively resists caste discrimination and social exclusion in India.
This event will take start at 4 pm (GMT) and 8.30 pm Indian Standard Time.
Gogu Shyamala will discuss her literary and academic work to mark the republication of her short story collection Father May be an Elephant, and Mother Only a Small Basket, But…, by Tilted Axis Press in March 2022. Her focus on the perspective of Dalit women and children as well as her stories’ celebration of Dalit strength and culture will be explored. Gogu Shyamala will tell us about her choice of, and experimentation with, the short story form, and how she sees her role as writer, academic and activist. We will also discuss land relations and the link to caste, sexual violence, inter-caste love and other key concerns of her fiction and academic writing.
Gogu Shyamala will be in conversation with Sowjanya Tamalapakula, Bethan Evans, Judith Misrahi-Barak and Nicole Thiara and the session will conclude with Q&A with the online audience via YouTube chat.
Tilted Axis is a non-profit press publishing mainly work by Asian writers, translated into a variety of Englishes. Founded in 2015, Tilted Axis are based in the UK, a state whose former and current imperialism severely impacts writers in the majority world. This position informs their practice, which is also an ongoing exploration into alternatives – to the hierarchisation of certain languages and forms, including forms of translation; to the monoculture of globalisation; to cultural, narrative, and visual stereotypes; to the commercialisation and celebrification of literature and literary translation. Tilted Axis values the work of translation and translators through fair, transparent pay, public acknowledgement, and respectful communication. They are dedicated to improving access to the industry, through translator mentorships, paid publishing internships, open calls and guest curation.
Dr. Gogu Shyamala is one of the foremost contemporary Dalit writers in India, as an author, researcher, editor, and biographer writing in Telugu.
Her English collection of short stories, Father may be an elephant and mother only a small basket, but… is a landmark in Indian literature; the collection was also translated into German and some of the short stories into French. She produced an anthology known as Nallapoddu (Black Dawn), which is a collection of 51 Dalit women’s writings (from 1921 to 2002) from across the Telugu-speaking Indian federal states. It has one of critical acclaim in literary world. She wrote a biography of the first Dalit woman legislator, Cabinet member and Endowment Minister in the former state of Andhra Pradesh, India. She worked on domestic violence and Dalit women. She is the co-editor of Anthology of Dalit writing in Telugu published by Oxford University Press. She has participated in the World Conference against Racism, and in literary events in Australia, Germany and Jaipur. Mentoring rural students on access to Higher Education and researching specific causes for dropouts, Gogu Shyamala also made documentary film called Memetla Saduvaale (Merit Interrupted).
Her writings are part of the syllabus in higher education in several Indian states and as well as the University of San Francisco in the USA. Her writings were translated into Indian languages such as Tamil, Malayalam, Hindi, Urdu and Gujarati. She holds a PhD in the area of Dalit Women Biographies, Gender and Caste in Telangana, from the English and Foreign Languages University, Hyderabad. She received several awards including Gandapenderam, she been worked as Research Fellow at Anveshi and as residence fellow at IEA Nantes in France on Dalit folklore and art farms. At present she is working as an independent scholar researching and writing biographies of rural Dalit women. She studies Dalit women’s literature and the history and mythology of Dalit literature as well as collecting palm leaf manuscripts of Dalit Puranas for contemporary scholarly studies.
Sowjanya Tamalapakula holds a PhD in the area of Violence, Gender and Caste from the English and Foreign Languages University, Hyderabad.
Areas of study include gender and intersectionalities with particular emphasis on the issues of Dalit women. She is currently teaching and guiding in the School of Gender Studies at Tata Institute of Social Sciences, Hyderabad. She teaches intersectionalities, sexuality, cinema, media and women’s writing for post-graduate students. She has published in various national and inter-national journals on gender, caste, cinema and media. Her recent paper ‘Caste-ing Queer Identities’ published in NUJS-Law Review journal is a critique on how caste operates in the queer intimate spaces.
Another paper titled ‘Politics of Inter-caste Marriage among Dalits: “Political as Personal”’ has been published in Asian Survey, University of California, Berkeley. She has been invited to contribute a paper ‘“Whatever Happened to Jogta, Jogtin?: Instrumentality of Religion in non-Brahman Cultural Assertion and Marginalization of Dalits’ for the Journal of Critical Philosophy of Race, Penn State University. She contributes regularly to Asian Age, Deccan Chronicle, The Wire, The News Minute, The Citizen, The Print, Youth Ki Awaz, Velivada and Roundtable India.
Bethan Evans is a recently qualified Doctor of Philosophy in English, specialising in black British literature, specifically the black British short story and its position in the publishing industry. Her thesis is titled ‘Publishing Black British Short Stories: The Potential and Place of a Marginalised Form’. Bethan has written articles for the Literary Encyclopedia and the Routledge Companion to Literature and Feminism, and is currently co-editing a special issue of the Journal of Postcolonial Writing, due for publication in 2025. She is the Project Officer for ‘On Page and On Stage: Celebrating Dalit and Adivasi Literatures and Performing Arts’.
Judith Misrahi-Barak is Associate Professor at University Paul Valéry Montpellier 3, France, where she teaches English and postcolonial literatures. Her prime areas of specialization are Caribbean and Indo- and Sino-Caribbean literatures in English, diaspora and migrant writing. She has published numerous articles and book chapters in edited collections, among which Tracing the New Indian Diaspora (Om Dwivedi, ed. Rodopi, 2014); Turning Tides: Caribbean Intersections in the Americas and Beyond (Heather Cateau and Milla Riggio, eds. Kingston, Jamaica: Ian Randle Publishers, 2019); or Windrush (1948) and Rivers of Blood (1968): Legacy and Assessment (Trevor Harris, ed. Routledge, 2019). She is General Editor of the series PoCoPages (Pulm, Montpellier). Borders and Ecotones in the Indian Ocean is the latest volume (2020).
http://www.pulm.fr/index.php/collections/horizons-anglophones/pocopages.html
Her latest publications are a chapter on Edwidge Danticat’s short stories (Bloomsbury Handbook on Edwidge Danticat, 2021), an article in a special issue of The Caribbean Quarterly on Sino-Caribbean literature (2021), and Kala pani Crossings: Revisiting 19th century Migrations from India’s Perspective (co-edited with Ashutosh Bhardwaj, Routledge, 2021).
Her monograph entitled Entre Atlantique et océan Indien: les voix de la Caraïbe anglophone was published with Classiques Garnier (Paris, 2021).
Dalit literatures are among her more recent interests, and she was Co-Investigator on an AHRC Research Network series on ‘Writing, Analysing, Translating Dalit Literature’ (2014-16) and is now Co-Investigator on an AHRC Follow-on Funding for Impact and Engagement on ‘On Stage and on Page: Celebrating Dalit and Adivasi Literatures and Performing Arts’ (2020-23).
Caste in Cinema, co-edited with Joshil K. Abraham, is forthcoming with Routledge (November 2022).
Nicole Thiara is Co-Director of Nottingham Trent University’s Postcolonial Studies Centre and Principal Investigator on the AHRC-funded Research Network Series, ‘Writing, Analysing, Translating Dalit Literature’ and its Follow-on Grant ‘On Page and on Stage: Celebrating Dalit and Adivasi Literatures and Performing Arts’.
She teaches Postcolonial and Contemporary Literature at Nottingham Trent University, UK. Her area of research is Dalit and diasporic South Asian literature and her current research project is the representation of modernity in Dalit literature.
Her publications include Salman Rushdie and Indian Historiography: Writing the Nation into Being (Palgrave Macmillan, 2009), ‘The Colonial Carnivalesque in Mulk Raj Anand’s Untouchable and Amitav Ghosh’s Sea of Poppies’, Journal of Postcolonial Writing 52: 6 (2016), ‘Subaltern Experimental Writing: Dalit Literature in Dialogue with the World’, Ariel 47:1-2 (2016), pp. 253-80, and with Annapurna Waughray, ‘Challenging Caste Discrimination with Literature and Law: An Interdisciplinary Study of British Dalit Writing’, Contemporary South Asia 21:2 (2013), pp. 116-32. With Judith Misrahi-Barak and K. Satyanarayana, she co-edited the critical volume Dalit Text: Aesthetics and Politics Re-imagined (Routledge, 2019) and special issue on Dalit Literature in the Journal of Commonwealth Literature 54 (1), March 2019 with our Open Access editorial ‘Why Should We Read Dalit Literature’ accessible here.
This free, online-in conversation event with multimedia artists Subash Thebe Limbu and Osheen Siva is part of our Formations series, hosted in partnership with Nottingham Trent University’s Postcolonial Studies Centre. This segment of Formations, CADALFEST, relates to the Celebrating Adivasi and Dalit Arts and Literature Festival (CADALFEST) taking place across India and in Nottingham. CADALFEST is the first international festival series dedicated to artists whose work creatively resists caste discrimination and social exclusion in India.
This event will be streamed live on Bonington Gallery’s YouTube channel. Book your free place now.
In recent times, the rapidly changing socio-political, environmental, and technological changes have centralised focus on reimagining and reconfiguring futures. While the Futurism movement, which began in Italy and spread to other European countries, sought to cleave off from the past and prophesized exciting futures through new technologies, futurisms that emerged from the margins were motivated by different urges – to question Eurocentric ideas of progress, development, scientific rationality, and techno futures. Afrofuturism, Latinx Futurism, and different kinds of Subaltern Futurisms have imagined alternate futures through speculative art and fiction by firmly holding on to the past.
In the Indian subcontinent, artists Subash Thebe Limbu and Osheen Siva have conceptualised Adivasi Futurism and Tamil Dalit Futures respectively. This conversation will discuss how they utilise the anti-caste philosophy that guides their multimodal artwork. It will explore how the artists use speculative art to posit alternate futures that resist caste and privilege their identities. The conversation, moderated by Prof. K.A. Geetha and Priteegandha Naik will discuss Dalit and Adivasi futurism and the potential it offers to dream up new and equal futures.
Subash Thebe Limbu is a Yakthung (Limbu) artist from what we currently know as eastern Nepal. He works with sound, film, music, performance, painting and podcast.
Subash has an MA in Fine Art from Central Saint Martins (2016), a BA in Fine Art from Middlesex University (2011), and an Intermediate in Fine Art from Lalit Kala Campus, Kathmandu.
His works are inspired by socio-political issues, resistance and science/speculative fiction. Indigeneity, climate change, and Adivasi Futurism are recurring themes in his works.
He is based in Newa Nation (Kathmandu) and London.
Osheen Siva is a multidisciplinary artist from Thiruvannamalai, currently based in Goa. Through the lens of surrealism, speculative fiction and science fiction and rooted in their Dalit and Tamil heritage, Siva imagines new worlds of decolonized dreamscapes, futuristic oasis with mutants and monsters and narratives of queer and feminine power.
K.A. Geetha is an Associate Professor the Department of Humanities and Social Sciences, BITS Pilani, Goa Campus, India. Her research interests are Dalit writing, Post-Colonial literatures, Women Studies and Cultural studies. She has worked extensively on the literary production and reception of Tamil Dalit literature.
Priteegandha Naik has submitted her thesis on Dalit-futurism which discussed Dalit Studies, Science Fiction Studies, Science and Technology Studies. She and is currently working as a Research Associate at Tata Institute of Social Sciences, Mumbai.
Join Bonington Gallery’s Director, Tom Godfrey, for this hour-long gallery tour of our current exhibition – Social Resource Project for Tennis Clubs.
Free and open to all, gain a unique insight into this exhibition and Stephen Willats’ work. Explore the origins of Social Resource Project for Tennis Clubs (1971/2) through the archival material on display, and how Willats’ early years in Nottingham proved influential to his subsequent career. This walkthrough will also look at the new works the artist has recently made in response to revisiting Nottingham and the original locations of Social Resource Project for Tennis Clubs (1971/2).
Spaces are limited, and booking is required. Meet in Bonington Foyer (outside the doors to the Gallery) at 12.55 pm for a prompt start.