In this series of events, which are part of Jenni Ramone’s project on breastfeeding narratives and representations, Jenni is joined by photographer Karim Iliya, writer ‘Pemi Aguda, and nurse educator Meg Moorman. These conversation events invite us to think about how the arts and humanities can transform the way we practice and understand breastfeeding, health, and our interactions with other animals and the planet.
Join Karim Iliya discussing the hidden underwater worlds and other natural places he has portrayed in photography and films, with NTU’s Jenni Ramone.
Karim Iliya is a photographer, filmmaker, whale swimming guide, and former dearMoon crew member based in Iceland. He also co-founded Kogia, a nature conservation non-profit. Karim grew up in the Middle East and Asia and developed an insatiable curiosity for the natural world which has taken him into the midst of exploding volcanoes, battling whales, ice worlds of the Arctic, and many of the incredible places where humans and animals make their homes. Through his photography and films, Karim takes his audiences to hidden underwater worlds and documents other natural places in an effort to protect Earth’s delicate ecosystems. Karim has worked in over 50 countries, won multiple awards, and his work has been featured in numerous distinguished magazines, documentaries, and publications.
For more on Karim’s work, check out his website and for more of his photos follow this link to his Instagram.
Join fiction writer ‘Pemi Aguda reading from and discussing her recently published collection of short stories, Ghost Roots, with NTU’s Jenni Ramone.
‘Pemi Aguda is from Lagos, Nigeria. She has an MFA from the Helen Zell Writers’ Program at the University of Michigan. Her writing has been published in Granta, Zoetrope: All-Story, Ploughshares, and One Story, among others, and won O. Henry Prizes. Her novel-in-progress won the 2020 Deborah Rogers Foundation Writers Award, and she is the current Hortense Spillers Assistant Editor at Transition Magazine. Ghostroots, a finalist for the 2024 National Book Award in Fiction, is her first book.
For more information about Pemi’s work, please visit her website, webstore, and Instagram
Join nurse educator Meg Moorman discussing her project on using visual thinking strategies to enrich nursing education and patient care, and considering how the strategies might be applied to breastfeeding support, with NTU’s Jenni Ramone.
Meg Moorman is a pioneering nurse educator whose innovative integration of the arts into nursing education has significantly influenced the development of clinical judgment and holistic care practices. As a Clinical Associate Professor at Indiana University School of Nursing, she also serves as the Coordinator of the MSN in Nursing Education Program and directs the Faculty Innovating for Nursing Education (FINE) Research Center. Dr. Moorman’s contributions have been recognized nationally; in 2022, she was inducted as a Fellow into the National League for Nursing’s Academy of Nurse Educators, honouring her innovative approaches to nursing education. She has presented her research internationally and consulted with various universities and healthcare workers throughout the world. Her ongoing efforts continue to inspire educators to incorporate humanities-based methodologies, like visual thinking strategies (VTS), to enrich nursing curricula and ultimately enhance patient care outcomes. Through her research and practice, Dr. Moorman has demonstrated that VTS can foster a safe learning environment, encourage diverse perspectives, and improve medical professionals’ ability to interpret complex clinical situations. Her work has shown that engaging with art through VTS not only sharpens visual literacy but also cultivates empathy and reflective thinking among nursing students. She was recently accepted into the Harvard Macy’s Art- Museum-based Health Professions Education Fellowship.
Form more information about Meg’s work, please follow this link to their website, and a feature written about this project can be found here.
Join us for a discussion and audio experience with Nottingham rapper Cappo and collaborating sound artist Tom Harris, exploring the ideas and processes behind CAPStone, Cappo’s week-long exhibition at Bonington Gallery between 14 – 21 June.
For the third event in our Bonington Connects programme, we are delighted to invite Nottingham based rapper Cappo and sound artist Tom Harris to discuss their collaboration and explore the ideas behind Cappo’s solo exhibition CAPStone. The two artists will also lead an improvised sound workshop and experience – utilising spoken word and elements found within the exhibition.
Bonington Connects
Bonington Connects is a student-programmed talks, discussion and workshop series inviting people to engage in thought-provoking conversations in response to Bonington Gallery’s exhibition programme. Aimed at creating an accessible atmosphere, this series encourages exploration of our exhibitions in informal, open and engaging settings. This installment has been programmed and organised by final-year MFA Fine Art student Vidhi Jangra.
We are pleased to acknowledge that funds from NTU TILT have supported this event.
Wednesday 4th December, 1-2pm. Book here (only open to NTU students)
Bonington Connect is a new series of get-togethers at Bonington Gallery where themes within our exhibitions can be discussed and explored in a friendly and informal setting. Led by MFA student Vidhi Jangra, this session will explore photography from a working-class perspective, drawing upon ideas from Susan Sontag and Roland Barthes.
By students and for students, Bonington Connect invites the NTU student community to engage in thought-provoking conversations in response to Bonington Gallery’s exhibition programme. Aimed at creating an accessible atmosphere, this series encourages students at all levels of study to connect with each other and explore themes & ideas in an informal, open and engaging setting.
Each event in this series will explore specific themes and highlight influential thinkers in the arts. The inaugural session, led by MFA student Vidhi Jangra, will focus on working-class perspectives in the arts, drawing on the current exhibition After the End of History: British Working-Class Photography 1989-2024. Referencing theories from Susan Sontag’s On Photography and Roland Barthes’ Camera Lucida, the session will examine the layered dynamics between photographer, subject, and viewer. Engaging directly with the exhibited works and theoretical insights, the talks promise to be both informative and conversational.
A 30-minute talk in the gallery will be followed by refreshments in the Bonington Atrium, where you’re invited to continue the conversation in a friendly and informal atmosphere.
In the spring term at Nottingham Trent University, students on NTU English module Black Writing in Britain were joined by poet and Caribbean literature and culture specialist Emily Zobel Marshall and novelist Jacqueline Crooks.
In March 2024, poet and Caribbean literature and culture specialist Emily Zobel Marshall visited NTU to read from and discuss her new poetry collection, Bath of Herbs.
Emily Zobel Marshall is a Reader at Leeds Beckett University, specialising in African and Caribbean folklore and literature of the African diaspora. Emily is also an expert in the role of trickster figures in the literatures and cultures of Africa and its Diaspora and has published widely in this area. Bath of Herbs is a vivid collection of poetry drawing on the poet’s life and history, including her childhood in rural Wales, mixed race identity, the British North, Martinique, illness, recovery, mourning, and family.
In this event held at NTU’s Clifton campus, Emily reads from and discusses her poetry, her literary inspiration from her grandfather, the writer Joseph Zobel, and answers questions from NTU English students on Jenni Ramone’s Black Writing in Britain module.
In April 2024, students on NTU English module Black Writing in Britain were joined by novelist Jacqueline Crooks.
Jacqueline Crooks was born in Jamaica and moved to London as a child. Her short story collection, The Ice Migration, was longlisted for the 2019 Orwell Prize in the Political Fiction category, and she has also been shortlisted for the Asham and Wasafiri New Writing awards. Her short story, ‘Silver Fish in the Midnight Sea’, was shortlisted for the BBC National Short Story Award 2019. Her stories have appeared in Wasafiri, Virago, Granta and Mslexia. Fire Rush is her debut novel and it has been shortlisted for the Women’s Prize for Fiction, the Jhalak Prize, and the Waterstones Debut Fiction Prize, and chosen as an Observer Best Debut Novel of the Year and a New Yorker best books of 2023. The narrative of Fire Rush takes place between late 1978 and early 1982. It is the story of Jamaican-British woman Yamaye, her friends, her search for her mother, and dub reggae.
In this event, Jacqueline Crooks reads from and discusses her novel in conversation with Jenni Ramone.
Alongside our current exhibition, Karuppu, join us for a free online in-conversation event between our exhibiting artist Osheen Siva with Jelena Sofronijevic, producer of EMPIRE LINES podcast and Nicole Thiara, researcher of Dalit and Adivasi literature.
Together, they will explore topics related to Osheen’s practice; their inspiration from cultural aesthetics that explore speculative futures and racial identity, including Afrofuturism. Osheen’s work uses science fiction, mythology, and religious heritage amidst their love of comic books and the vibrant soul of South India. Their artworks imagine fantastical dreamscapes, whilst reclaiming and reinventing Indian folktales and myths to imagine a decolonised future.
This event will be live streamed on YouTube, with auto generated closed captions. During the live event there will be the opportunity to ask questions.
Osheen Siva is a multidisciplinary artist from Thiruvannamalai, currently based in Goa. Through the lens of surrealism, speculative fiction and science fiction and rooted in their Dalit and Tamil heritage, Osheen imagines new worlds of decolonised dreamscapes, futuristic oases with mutants and monsters and narratives of queer and feminine power.
Jelena Sofronijevic is a producer, curator, writer, and researcher, who makes content at the intersections of cultural history, politics, and the arts. Beyond their works in print they are the producer of EMPIRE LINES, a podcast which uncovers the unexpected flows of empires through art, and historicity, a new series of audio walking tours, exploring how cities got to be the way they are, recorded on location in London (2022) and Tokyo (2023). Their full portfolio of work is available on their website, and social media.
Follow Jelena on Instagram – @empirelinespodcast, and on Twitter @jelsofron
Nicole Thiara is Co-Lead of Nottingham Trent University’s Postcolonial and Global Studies Research Group and Principal Investigator on the AHRC-funded Research Network ‘Writing, Analysing, Translating Dalit Literature’ and its Follow-on Grant ‘On Page and on Stage: Celebrating Dalit and Adivasi Literatures and Performing Arts’. She teaches postcolonial and contemporary literature at Nottingham Trent University, UK. Her area of research is Dalit, Adivasi and diasporic South Asian literature and her current research project focuses on the representation of modernity in Dalit literature.
As part of this year’s city-wide Transform festival, Talking Back is an interdisciplinary conference uncovering the power of shared testimony as an act of political resistance.
Inspired by bell hooks’ (1989) discussion of ‘talking back’ and speech as a radical force against the systemic silencing of marginalised voices, this one-day conference will present critical and creative work by creatives, writers, researchers, poets, and activists who challenge disciplinary and cultural barriers.
“Moving from silence into speech is for the oppressed, the colonized, the exploited, and those who stand and struggle side by side, a gesture of defiance that heals, that makes new life, and new growth possible. It is that act of speech, of “talking back” that is no mere gesture of empty words, that is the expression of moving from object to subject, that is the liberated voice.”
bell hooks, “Talking Back.” Discourse (1986), p. 128.
hooks’ ideas have inspired many movements towards the liberation of oppressed voices and groups, as well encouraging cross-cultural dialogue between voices from marginalised backgrounds and perspectives. Reflecting on hooks, we suggest that the action and impact of speaking out is achieved only when we are willing to hear the narratives of others. This one-day conference aims to contribute to the formation of collaborative networks of resistance with the potential for profound societal change.
This conference aims to bring together and amplify voices of marginalised individuals. It also aims to create a safe space that fosters collaborative thinking and discussions on representation and resistance.
Consisting of critical and creative approaches to decolonial activism, reclamations of culture and identity, and the transformative power of voice, this will include academic papers, creative workshops, and poetry readings.
We want to encourage cooperative discourse, centred narratives of representation and resistance. Speaking out together against their hegemonic constraints, scholars and artists alike will transcend both disciplinary and identity barriers to take part in an open and inclusive dialogue.
For further information please visit the dedicated Talking Back conference website.
Co-organisers
Rahiela Seef (she/her) is an M4C funded PhD candidate at Nottingham Trent University. Her doctoral thesis, entitled “‘Like Surah, Like Song’: The Poetics of Faith, Femininity and Orality across the East African Diaspora,” analyses representations of faith, Black womanhood and female defiance in diaspora Sudanese and Somali poetry.
Drawing connections between the collections in theme, rhythm and form, Rahiela will explore the blend of African, Islamic and contemporary Black oral traditions expressed within the poems, making a case for a shared literary canon in which diasporic East African women’s writing resides. Her research interests include Black feminist literature, intersectional theory, and contemporary spoken word poetry.
Ramisha Rafique (she/her) is a Vice Chancellor Bursary funded PhD researcher at Nottingham Trent University. Her creative-critical doctoral thesis explores the ontology of the postcolonial flâneuse and decolonisation in British Muslim women’s writing. For the creative component of her doctoral thesis, Ramisha will produce a pamphlet length collection of poetry.
Her research interests include Flânerie, British Muslim women’s writing, and Islamophobia. Ramisha has been published by The Journal of Postcolonial Writing (2023), Literary Encyclopaedia (2023), and NTU Research Blog (2023). Her poetry has featured in Bystander (Laundrette Books, 2017), the NTU Postcolonial Studied Centre website (2021), and The Journal of Postcolonial Writing (2023). Ramisha’s forthcoming publications include: ‘#HandsOffMyHijab: Muslim women writers challenge contemporary Islamophobia’. Rafique, R. and Ramone, J. In: Irene Zempi and Amina Easat-Daas, The Handbook of Gendered Islamophobia. Basingstoke: Palgrave.
Keynote speakers
Suhaiymah Manzoor-Khan is an critically acclaimed poet, writer and public educator focused on disrupting narratives about history, race and violence. She speaks and performs her work nationally and internationally and is the author of Seeing for Ourselves; and even stranger possibilities (2023); Tangled in Terror: Uprooting Islamophobia (2022) and the poetry collection Postcolonial Banter. Suhaiymah is also a co-author of A FLY Girl’s Guide to University; and a contributor to the anthologies Cut from the Same Cloth? and I Refuse to Condemn. Her writing has featured on BBC Radio 4, in The Guardian and Al Jazeera, and her poetry has been viewed millions of times online. She is a co-founder of the Nejma Collective, a group of Muslims working in solidarity with people in prison. She is based in Leeds and is currently writing for theatre.
Muneera Pilgrim is a Poet, Cultural Producer, Writer, Broadcaster on BBC and Ujima, TEDx Speaker, and WOW Festival Speaker with international acclaim. She conducts workshops, shares art, guest lectures, hosts, and finds alternative ways to educate and exchange ideas while focusing on methodologies of empowerment for non-centered people. At heart, Muneera is a storyteller, concerned with telling stories to disrupt mainstream narratives of non-centered people globally and to beautify truths that are rarely told.
Muneera regularly contributes to Pause for Thought on BBC Radio 2, she is an Alumni Associate Artist with The English Touring Theatre, and she is an in-house poet and thinker, with In Between Time where she developed The Joy Project.
Muneera has written for The Guardian, Amaliah, Huffington Post, The Independent, Al Jazeera, Black Ballard and various other digital and print platforms. She has been featured across the BBC network including BBC News, as well as Sky News, Sky Arts, Al Jazeera, and various other television channels. In 2015 a documentary was commissioned and screened about her former group Poetic Pilgrimage called Hip Hop Hijabis.
Muneera holds an MA in Islamic studies where she focused on Black British pathways to spirituality, migration, gender, and race. She holds a second MA in Women’s Studies, where she focused on the intersection of faith and spirituality, race, gender, autoethnography and methodologies of empowerment for non-centered people. Her innovation in her work and the use of poetry won her The Ann Kaloski-Naylor Award for Adventurous Academic Writing.
She etches a poetic space of dialogue which is accessible to all regardless of religious and cultural boundaries. Rooted in spirituality she uses communication and art for edification, enrichment and change.
Her debut poetry collection ‘That Day She’ll Proclaim Her Chronicles’ was released in November 2021 through Burning Eye Books.
About Transform
Transform, a City Takeover – a ground breaking festival co-curated by 14 major cultural organisations across Nottingham in Spring/Summer 2024. Together, we’re celebrating the leadership, creativity, and stewardship of the Global Ethnic Majority in Nottingham.
‘Moving from silence into speech is for the oppressed, the colonized, the exploited, and those who stand and struggle side by side, a gesture of defiance that heals, that makes new life, and new growth possible. It is that act of speech, of “talking back” that is no mere gesture of empty words, that is the expression of moving from object to subject, that is the liberated voice.’
– bell hooks, “Talking Back.” Discourse (1986), p. 128.
Talking Back interdisciplinary conference is an in-person conference that will be held in Nottingham, United Kingdom. It will form a prominent part of Transform, a city-wide collaborative and transformative endeavour involving major cultural organisations across Nottingham in summer 2024, led in partnership by New Art Exchange.
Reflecting on speech as a radical force against the systemic silencing of marginalised voices (hooks, 1989), we would like to invite proposals from writers, academics, creatives, and activists alike who are interested in exploring critical and creative approaches to decolonial activism, reclamations of culture and identity, and the transformative power of voice.
We invite contributions that explore marginalised voices, representations of dissent against western hegemony and rigid binaries, and resistance to silencing and structural oppression. We welcome critical and creative approaches to proposals from participants of all genders, racial groups, and faith groups.
The conference is free to attend and will take place at Bonington Gallery, Nottingham Trent University, Nottingham, England on Tuesday 25th June 2024.
The conference will be followed by an open-mic poetry and networking event, centred on the theme of ‘talking back.’
Suggestions include and are not limited to:
Please submit a 250-word abstract/proposal for a 20 minute paper or presentation along with a 100 word biographical statement to: talkingbackconference@gmail.com
Please title your email with the type of submission you are applying for:
20 minute paper: Talking Back Conference 2024
20 minute presentation: Talking Back Conference 2024
The conference is free to attend. We are also able to offer 2-3 small travel bursaries to support self-funded and disadvantaged students with travel costs. If you wish to apply for one of these bursaries, please express your interest at the bottom of your abstract, along with a brief summary explaining why you require the support.
Deadline for all submissions: 1st April 2024.
Conference Date: 25th June 2024
Email us at talkingbackconference@gmail.com if you have any questions.
We look forward to receiving your submissions.
This conference is made possible by generous funding and support provided by Bonington Gallery and the NTU’s Postcolonial and Global Studies Research Group.
For the third and final event from our Plants Beyond Empire series, Claire Reddleman and Sophie Fuggle will explore how plants have become aligned with human ideas about time, seasons and cycles.
Many plants have been co-opted into colonial and capitalist ways of understanding time. Reddleman and Fuggle will begin by taking up the case of the Ginkgo Biloba – often described as a ‘living fossil’ due to the fact it has remained unchanged for over 80 million years.
Drawing on Claire Reddleman’s research, and its arrival in Britain in the 18th Century, they will consider the ways in which the ginkgo has become an important presence in the British landscape. The speakers will then look at the castor bean, a very different plant, which has been used by humans for at least 24,000 years. In the late 19th century, the castor bean’s best-known product, castor oil, started to be used as a lubricant for car and aircraft engines. It enabled greater speed and fluidity, and joined fossil fuels in the service of capitalism’s quest for ever faster, ever more efficient movement. Donna Haraway, Anna Tsing and others call this era the ‘plantationocene‘, to identify how capitalism, colonialism and labour have, often destructively, shaped the natural world.
Plants Beyond Empire is a new series of conversations starting in February 2024, as part of our Formations programme, in partnership with the Postcolonial and Global Studies Research Group. The events will explore a range of creative and community interventions aimed at understanding complex human-plant entanglements within postcolonial Britain and beyond.
Sophie Fuggle’s research focuses on connections between empire and ecology. She has conducted extensive field and archival work in French Guiana, New Caledonia and Vietnam looking at the legacy of France’s overseas penal colonies. Most recently she has begun to explore the colonial, cultural histories of the castor bean plant.
Claire Reddleman is Lecturer in Digital Humanities at the University of Manchester and works on digital cultural heritage, visual methods, mapping and contemporary art including her recent project ‘Ginkgos of the British Isles‘. She is a photographic artist and can be found online at www.clairereddleman.com / @reddlemap
Photo credit – dendrologista by Claire Reddleman. Map credit – 1725 Kaart van de provincie Utrecht, François Halma, collection of Universiteitsbibliotheek, Utrecht
Join Katharina Massing and Jen Ridding for an online talk exploring how Birmingham Botanical Gardens is working with local communities and visitors to highlight its colonial connections and diversify voices within plant interpretation.
Birmingham Botanical Gardens was founded in 1832, originally as a site of botanical and horticultural research and later with a greater emphasis on leisure and wellbeing.
Similar to many Botanic Gardens, its collection is linked to colonial expansion and trade. These links can be observed throughout the site, for example through the economic plants in the glass houses or the ornamental plants from China at the Wilson border, named after the ‘plant hunter’ Ernest Henry Wilson who brought plants over to the UK.
Katharina Massing and Jen Ridding will look at how the garden is working with local communities and visitors to highlight some of these colonial connections and diversify voices within plant interpretation.
Taking place online via YouTube.
Plants Beyond Empire is a new series of conversations starting in February 2024, as part of our Formations programme, in partnership with the Postcolonial and Global Studies Research Group. The events will explore a range of creative and community interventions aimed at understanding complex human-plant entanglements within postcolonial Britain and beyond.
Katharina Massing is a museum and heritage expert interested in holistic approaches to the safeguarding of landscape and traditional knowledge and sustainable heritage practices. She teaches and researches on ways museums can engage with and communicate anthropogenic changes. At the moment she is involved in a project between Nottingham Trent University and Birmingham Botanical Gardens that investigates diversifying ways in which plant stories are told.
Jen Ridding is currently the Head of Engagement & Learning at Birmingham Botanical Gardens. A dynamic cultural leader, Jen is experienced in strategic development of Learning, Audience Development, Engagement and Visitor Services. Skilled in bringing people, stories and ideas together, Jen has a successful track record in designing innovative engagement strategies across a range of arts, heritage and culture settings.
Photo credit: Birmingham Botanical Garden (2024). Photo courtesy of Katharina Massing
Join artist Rebecca Beinart for a free online talk where she will share stories and work-in-progress from her long term research into plant-human relationships, medicine and porous bodies.
During this talk she will share a short film made in collaboration with Usha Mahenthiralingam and Freddy Griffiths. The work explores the Island site in Nottingham – that once housed the Boots pharmaceutical factories and is currently under redevelopment – and spills out into histories of plant medicine, land, bioprospecting, pharmaceutical production, and thinking with plants and fungi.
Plants Beyond Empire is a new series of conversations starting in February 2024, as part of Bonington Gallery’s Formations programme, in partnership with NTU’s Postcolonial and Global Studies Research Group. The events will explore a range of creative and community interventions aimed at understanding complex human-plant entanglements within postcolonial Britain and beyond.
**No audio between 04:36 and 07:46, presenter repeats the start of her talk after the screening of the film later in the event. At 22:42 the speaker cut out, which has been cut from the video. This causes a small pause that lasts 6 seconds**
Rebecca Beinart is an artist, educator and curator, based in Nottingham. She develops research-based, collaborative and site-based projects that evolve through long-term engagement with places and people. She makes sculpture, installation and performance, and uses live engagement and public dialogue to reflect on collective histories and futures, social and environmental justice, knowledge-making, and the politics of public space.
Photo credit: Film Stills, Freddy Griffiths. Courtesy Rebecca Beinart.