Join us for the launch of our final exhibition of the academic year, exploring tabletop roleplaying games (TTRPGs).
We’re delighted to be hosting experimental exhibition Weird Hope Engines, and this is your opportunity to come along for a first look around. Enjoy a free welcome drink, delicious food (first come, first served!) and music.
The first exhibition of its kind, this exhibition highlights the practices of innovative designers, artists, and writers in the field of independent game design, and brings their work into dialogue with fellow-travellers in the field of critical art practice.
We dedicate the final Vitrines instalment of our 2024/25 season – Nottingham Subcultural Fashion in the 1980s – to archive material, information and clothing that documents the dynamism of the independent fashion scene of Nottingham in the 1980s.
All welcome but reserve your free ticket to avoid disappointment.
Join us for the launch of a new solo exhibition by Motunrayo Akinola and our Vitrines collaboration with The Aimless Archive.
We’re delighted to be launching two exhibitions in January, and this is your opportunity to come along for a first look around. Enjoy a free welcome drink, delicious food (first come, first served!) and music.
All welcome but reserve your free ticket to avoid disappointment.
Motunrayo Akinola: Knees Kiss Ground
We’re delighted to present Knees Kiss Ground, a solo exhibition by artist Motunrayo Akinola, which explores faith and belonging through everyday objects.
The exhibition was produced during a six-month residency Motunrayo secured at South London Gallery (SLG) as part of their Postgraduate Residency scheme. The scheme provides early-career artists with the rare opportunity to produce a new body of work. Knees Kiss Ground was first exhibited at SLG in 2024 and tours to Bonington Gallery in 2025.
Vitrines #26: The Aimless Archive
Hull based The Aimless Archive delivers the 26th instalment of our Vitrines programme.
The Aimless Archive works across text – conversation – performance – collecting. It questions what we keep and what we get rid of by investigating the processes used to build archives. This approach attempts to be as open and collaborative as it can be. Work often takes the form of a book – a box – a by-product.
We are delighted to present Knees Kiss Ground, a solo exhibition by Motunrayo Akinola exploring faith and belonging through everyday objects.
The exhibition was produced during his six month Postgraduate Residency at South London Gallery, delivered in partnership with ourselves.
Motunrayo Akinola (b.1992) uses images of the home and everyday objects to explore comfort and belonging. He is interested in the function and materiality of these objects, and how they can trigger emotions and memories.
Akinola spent some time studying architecture before moving into art. He is interested in ideas around existing within different kinds of spaces. For this exhibition, Akinola will present works made during his residency, including an immersive installation constructed entirely from corrugated cardboard to replicate the exact dimensions of a shipping container, and several light works that explore the relationship between light and religious or spiritual rituals. These works also make reference to Biblical associations of light as a revelatory presence.
Akinola’s interest in attitudes towards migration stems from his dual upbringing in London and Lagos, Nigeria. His research throughout his residency has delved into post-colonial power dynamics and the psychology of ownership. By noting subtle gaps in cultural knowledge, his work aims to come to a new understanding about the possession of space.
Launch event
Book your free ticket to attend the launch event for this exhibition at 6 pm on Friday 17 January 2025.
Motunrayo Akinola is a London-based artist who uses images of the home and everyday materials to explore comfort and belonging. He creates sculptures, installations, sound and drawings. He studied at RA Schools, graduating in 2023. As a British-born Nigerian who has spent time in and now feels comfortable in both countries, Akinola’s work exposes the nuanced differences between the two places.
Bonington Gallery have partnered with South London Gallery to deliver their 13th Postgraduate Residency, an open submission six-month residency that provides an early-career artist with a rare opportunity to produce a new body of work, which is then exhibited at the SLG and in this instance at Bonington Gallery. The residency is open to artists who have completed a BA, and have undertaken a period of self-directed, peer-led or postgraduate study in the year prior to the residency. This can include alternative, peer organised and non-accredited programmes from an institution, collective or art school in the UK as well as an MA, MFA, PGDip, MRes.
The SLG has an international reputation for its contemporary art exhibitions by established, mid-career and younger artists and programme of film and performance events. Its highly regarded, free education programme includes a peer-led young people’s forum; family workshops; artist-led projects and commissions on local housing estates; and a programme for looked after children.
The Postgraduate Residency is supported by The Paul and Louise Cooke Endowment.
Press
Floorr Magazine
This event is now fully booked. Those without a ticket may not be admitted.
Join us for the launch of a new exhibition featuring over 120 works by contemporary working-class artists and photographers.
Curated by photographer, writer and broadcaster Johny Pitts, After the End of History emphasises the perspectives of practitioners who turn their gaze towards both their communities and outwards to the wider world. Find out more.
‘After the End of History: British Working Class Photography 1989 – 2024’ is a Hayward Gallery Touring exhibition curated by Johny Pitts with Hayward Gallery Touring.
Dr Paul Adey is a HE lecturer of Music Performance and Music Business at Confetti Institute of Technologies.
Performing under the artist name of Cappo, he has practiced hip hop lyricism for over two decades. During this time, he has had the privilege of appearing at many of Europe’s premier live music venues, performing alongside artists such as Public Enemy, Skepta, and The Sleaford Mods.
Throughout his career, he has released music on various record labels including Tru-Thoughts and Ninja Tune, and featured live on BBC Radio One (John Peel), BBC Radio 1 Xtra, and BBC Radio 6 numerous times.
Paul’s interdisciplinary research focuses on popular culture, literary devices and musical concepts such as intertextuality and allusion, and the semianalysis of song lyrics. The interdisciplinary nature of Paul’s research links his work to Music, English, Creative Writing, and media studies.
Instagram: @kafka_poe_murakami
X: @CAPPO_GENGHIS
Linktr.ee: @_Cappo_
Claude Money is a record producer and PhD researcher from Nottingham via Singapore and Spain.
Based at Sirkus Studios, he’s been known to work on projects of all genres, but is consistently influenced by the stylings and history of Library Music, Soul, Jazz and Hip-Hop, as well as the traditional folk music of his broad and eclectic cultural background.
Outside of the record industry, he produces music for the screen. He has created bespoke pieces for the BFI and Netflix as well as BBC’s Inside Out, London Fashion Week and the Sailing Grand Prix.
Since 2016, He’s produced a wide variety of tracks for artists including Pete Beardsworth, Emily Makis, Wariko, President T, Window Kid and Snowy. His breakout single was his remix of Misti Blu Two by Amillionsons featuring siblings Taka Boom, Chaka Khan and Mark Stevens, available now on vinyl via Amillionrecords.
Claude’s previous career as a journalist eventually led him to the world of live music. As a promoter he’s worked with headliners such as Hypnotic Brass Ensemble, Talib Kweli, Pharoahe Monch, Saul Williams, KRS One, Children of Zeus, The Pharcyde and Ghostface Killah.
His passion for the culture has now led him full circle. In October of 2024 Claude will begin a new role at the Nottingham Trent University Doctoral School as a researcher where he will be recording and transcribing the oral histories of Nottingham’s hidden Hip-Hop history, a previously unexplored and under-researched area of UK cultural history.
www.sirkus.co.uk
www.instagram.com/claudemoneyofficial
www.soundcloud.com/claudemoneyofficial
We caught up with moving-image artist and researcher Onyeka Igwe ahead of her forthcoming show, history is a living weapon in yr hand which launches on 12 January, and runs until 2 March 2024.
