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Video Days takes its title from the 90s skateboard video by Blind Skateboards. Produced in 1991 by American skateboarder and filmmaker, Spike Jonze, the iconic video depicts street and park skating in the US, and is considered one of the most influential skate videos of its time.

For the duration of 25 days the gallery will be transformed into an open cinema. Running daily, Video Days presents a different film or series of short films each day from different decades and genres. The films screened share several common themes, most prevalent is their relationship to the built environment.

All films/performances are played on repeat unless specified otherwise.


The films on display do not come with a British Board of Film Classification (BBFC). We therefore advise that some of the films shown may contain scenes of nudity, discrimination, violence, drugs, imitable behaviour, and language unsuitable for young or vulnerable viewers. If you have any questions prior to visiting the gallery, please get in touch.


Monday 14 May

A selection of film works by Andrew Munks.

Tuesday 15 May

Ashley HolmesEverybody’s Hustling, 2017
Looped all day.

6.30 pm – 8.30 pm:
The Definition of Grime (To Me),
Lecture by Elijah.

Preceded by a single screening of Ashley Holmes’ Everybody Hustling, 2017. Followed by Q+A hosted by Jonathan P. Watts, visiting Lecturer, BA (Hons) Photography.

Wednesday 16 May

A selection of film works by Sophie Michael.

Thursday 17 May

Richard Paul, All that is Solid, 2018, (13 mins), shown in 3D.
Looped all day.

A 13-minute video by Richard Paul in which a narrator describes an unspecified city, the materials constituting its construction, and the myths connected to these material elements. Close-up images of crystals, stone and metals float gently in space before the viewer, captured using stereographic photography, rendering them in three dimensions, almost touchable. Meanwhile, a dulcet voice describes wheels rolling over iron pyrite streets, how quartz governs a subterranean electronics systems and how concrete is constructed into towers and geometric barriers. The title of the work is taken from The Communist Manifesto, where Marx and Engels proffer all that is solid, melts into air. As a substance is ingested to induce a hallucination or dream state, the cityscape warps, as does the consciousness of the narrator, who dreams of further, more fantastic materials.

Friday 18 May

A selection of film works by Dick Jewell.