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When I Dare to be Powerful International Conference explores the idea of voice as an agent for change and act of resistance.

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Click here to reserve your ticket for the free in person conference

When I Dare to be Powerful International Conference will bring filmmakers, artists, writers and activists together with conceptual thinkers and cultural theorists to answer pressing questions relating to voice as an agent of change.

Centred on voice as a lens through which we conceive of a social alterity that undermines current ideological dominance, we would like to invite proposals from academics, practitioners and activists interested in exploring coming to voice as an act of resistance. Has adequate progress been made in remedying the lived experience of minoritised people? How will social parity be achieved? Can dissent facilitate a space from which an alternative, socio-cultural narrative can thrive?

When I Dare To Be Powerful one-day conference offers a packed programme of events running up to and including the conference itself:

The conference period begins on 26th April and runs through to the one-day conference in June. Join us in the conversations relating to voice, around which our one-day conference is based.

The conference is free to attend and will take place in person on Wednesday 21st June 2023.

Visit our When I Dare To Be Powerful website to find our more about the conference timetable.

ABOUT THIS EVENT

Professor Gus John and poet Yolanda Lear join Jenni Ramone’s Black Writing in Britain students and Formations audiences for a special event on the history of New Beacon Books and its place in the history of Black British publishing, writing, and activism.

Gus John discusses publishing, decolonisation, and the contemporary university. Yolanda Lear reads and discusses her poetry, and both speakers engage in conversation with English and Creative Writing students at NTU.

FORMATIONS is a public events series which foregrounds under-represented artists, writers, thinkers, and activists, run by NTU’s Postcolonial Studies Centre and Bonington Gallery.

Book your ticket

Click here to reserve your spot at this free online event.

Biographies:


Bonington Gallery was delighted to present Publishing Rooms, a commissioned exhibition concept by Andrew and Iain Foxall of Foxall Studio, London.

Over the past decade, mass-publishing has moved from the print houses into the hands of anyone owning a smartphone. Publishing is no longer a privilege, but an involuntary expression of our multiple identities and allegiances.

Exploring themes of self-expression and posterity, Bonington Gallery became a facility for self-publishing.

Set within a constructed environment that combines the appearance of an abstracted newsroom with the functionality of a photo booth, visitors were invited to interact with technological and analogue devices designed and implemented by Foxall. These tools for self-publishing will provide opportunity to further explore our obsessions with mediated forms of self-expression.

Referencing and subverting everything from zine culture to the selfie phenomenon,  Publishing Rooms provided opportunities to go beyond the prescribed presets found in our social media outlets, generating new variables for the production of self-imagery and the subjective understanding of ourselves.

Referencing and subverting everything from zine culture to the selfie phenomenon,  Publishing Rooms provided opportunities to go beyond the prescribed presets found in our social media outlets, generating new variables for the production of self-imagery and the subjective understanding of ourselves.

Brothers Andrew and Iain started Foxall Studio in 2006 to combine their experience and vision in art, fashion and innovation. As a multi-disciplinary studio, Foxall direct brand-led experiences ranging from brand creation, art direction and magazine design, through to exhibition design.

The brothers work with designers, developers, photographers and artists to create collaborations that challenge the paradigms of brand / experience building. Recent projects include a commissioned brand campaign by British jewellery designer, Jo Hayes Ward; contributions to an installation for Selfridges, London; and a music film released exclusively on Nowness.

Andrew and Iain also regularly lecture and run workshops at The British Council, London College of Communication, The Royal College of Art and Liverpool John Moores.

Follow the Progress Online

All the images created within Publishing Rooms were published directly to publishingrooms.com. Here, you can view and save your scanner camera portraits, and view the most recent images made using the Body Scan and Wall Scanner installations. From there, you can also share these elsewhere on the web, with the ability to share them directly to social media platforms. Tag your posts #PublishingRooms on Instagram and Twitter and share your exhibition experience with us.

Our Gallery invigilators and Foxall Studios’ intern Marion will also be kept us up-to-date with the exhibition via the blog. In case you missed it, you can read Andrew and Iain’s introduction to the project and get an early look at the scanner camera development here.

Bonington Lunchtimes: Printed Matter?

An informal discussion looking at the changing importance of printed matter and whether it still holds up as a relevant and vital contemporary media format. This will take place on 26th April, 1 pm, in the gallery space.

Guest Speakers:

Matt Gill (Raw Print), Andrew Foxall (Foxall Studio), Iain Foxall (Foxall Studio), Hugh Frost (Landfill Editions), Alex Smith (Ideas on Paper), chaired by Tom Godfrey

Nottingham Art Weekender

This exhibition was open as part of the Nottingham Art Weekender on Saturday 14 and Sunday 15 May 2016, where many of the venues listed on the Nottingham Art Map invited the public to take part in their events and exhibitions in a celebration of the visual arts scene in Nottingham.


From Our Blog

Established in 2016 by a collective of eight, The Community is a Paris-based multidisciplinary art institute dedicated to promoting experimental and progressive artistic practice through interdisciplinary programming. Featuring Ethan Assouline, Laëtitia Badaut Haussmann, David Bernstein, Tenant of Culture, Cyrus Goberville, Philippe Hallais and Ruby Hoette.

The Community’s founding was prompted by a long-standing need for a shared space and platform to stimulate ideas and facilitate collaboration across different creative disciplines including art, fashion, music and publishing.

Extending their methodology to the UK, The Community Live in Nottingham transforms Bonington Gallery into a site for learning, experimentation and production through a programme of free to attend weekly workshops and activities delivered by a specially invited group of internationally prominent artists and creatives, accompanied by members of  The Community. Over the course of a month, participants will create work within the space whilst reflecting and developing upon previous outcomes – building content through experience and accumulation. Participation will be open to all, reflecting The Community’s desire to ingratiate their practice through dialogue and collaboration with local communities.

The exhibition will culminate with a music and performance event at the gallery and in the city with an opportunity to view completed works on Friday 29 March and Saturday 30 March. Details regarding these activities will be announced soon.

The gallery will be open for viewing throughout the exhibition period, but due to the nature of this being an ‘exhibition-as-process’, we suggest following updates via The Community’s instagram account and on the exhibition website to maximise your experience.

Artists included

Ethan Assouline, Laëtitia Badaut Haussmann, David Bernstein, Tenant of Culture, Cyrus Goberville, Philippe Hallais, Ruby Hoette

Weekly Workshop Schedule
Week one

Monday 4 – Saturday 9 March 2019
Ego Altar by David Bernstein

Week two

Monday 11 – Saturday 16 March 2019
Ruby Hoette’s Patternmapping Residency

Wednesday 13 – Friday 15 March 2019
Workshop by Tenant of Culture

Week three

Monday 18 – Saturday 23 March 2019
Anna’s Weekend by Laëtitia Badaut Haussmann

Week four

Monday 25 – Saturday 30 March 2019
Writing Club by Ethan Assouline and Philippe Hallais

Finissage
Thursday 28 March 2019, 5–8 pm

Come celebrate the finale of The Community Live in Nottingham with an opportunity to view all of the completed works produced throughout the four weeks of workshops plus a music and sound performance.

The evening will consist of two parts: A live performance by Philippe Hallais that will bring together audio-recorded outcomes from the outcome of week four, the ‘Writing Club’ with artist Ethan Assouline; followed by a Nottingham edition of ‘Permanent Cuts’ – a multidisciplinary and experimental live music session co-curated by Cyrus Goberville of Collapsing Market.

The event will be followed by an off-site event at the King Billy pub in Sneinton with DJ sets by Low Jack, Cyrus, plus others.

Exhibition resources: