Join us for the launch of the second exhibition in our 2026-27 season, an exhibition of photography, video and archival material by the critically acclaimed photographer and filmmaker Andy Earl (b. 1955). Spanning four decades, the exhibition traces Earl’s remarkable career, from his time as a photography student at Nottingham Trent University (1974-1977) to the present day.
Across a career that includes more than 200 album covers, editorial commissions for Rolling Stone, NME and Q magazine, and projects for Canon, Samsung, Deutsche Bank and the BBC, Earl has photographed some of the most influential cultural figures of the past half-century.
Enjoy a free welcome drink, delicious food (first come, first served!) and music.
Join us for a free guided tour of Bonington Gallery’s latest exhibitions with BSL interpretation.
Book your free ticket and enjoy a guided tour of Flash and Blur, an exhibition by Andy Earl, led by the Gallery’s Director, Tom Godfrey.
This event will last up to an hour. Please meet inside Bonington Building in the foyer space outside the Gallery doors at 12.55 pm. Free and open to all, booking required.
Join us for a free guided tour of Bonington Gallery’s latest exhibitions with BSL interpretation.
Book your free ticket and enjoy a guided tour of Common Grounds – Counterculture & Confrontation since 1976 , an exhibition by Alan Lodge, led by the Gallery’s Director, Tom Godfrey.
Along with an introduction to the exhibition, Tom will talk through the accompanying Vitrines exhibition, It’s a Wonderful Protest.
This event will last up to an hour. Please meet inside Bonington Building in the foyer space outside the Gallery doors at 12.55 pm. Free and open to all, booking required.
Join us for the launch of the first exhibition in our 2026-27 season, a major survey of photographer Alan Lodge (b. 1953), whose work has documented British counterculture, protest movements and grassroots activism for more than five decades.
Featuring more than 100 photographs alongside 35mm slide projections, moving-image works, personal archives, and previously unseen material, Common Grounds provides an expansive overview of Lodge’s practice and of a life dedicated to activism.
As part of the Bonington Vitrines series, we’re delighted to present The Velvet Acronyms – It’s a Wonderful Protest. A collaboration between artists Anna Li and Simon Raven, the body of work uses satirical ‘crip humour’ to challenge ableism in the arts, from the ghettoisation of disability art to condescendingly ‘celebratory’ forms of inclusion.
Enjoy a free welcome drink, delicious food (first come, first served!) and music.
Join us for a free guided tour of of Ibiye Camp’s solo exhibition layt de kam at Bonington Gallery, and her newly commissioned artwork in NTU’s new Design and Digital Arts building close by.
The tour will be led by Tom Godfrey, Curator and Director of Bonington Gallery.
This event will last up to an hour. Please meet at the entrance to Bonington Gallery for a prompt start at 1.00 pm. Free and open to all, booking required.
Ibiye holds an MA in Architecture from the Royal College of Art, and BA (Hons) in Fine Art, from the University of the Arts London, Central Saint Martins. Ibiye’s Thesis project titled Data: The New Black Gold was awarded the School of Architectures Dean’s Prize and was nominated for the RIBA Silver Medal Award.
Ibiye has presented her work at The Sharjah Architecture Triennial titled Rights of Future Generations in 2019 and Triennale Milano The State of the Art of Architecture conference in 2020. She showed in the Istanbul Biennial titled Empathy Revisited in 2020, and MAAT – Museum of Art, Architecture and Technology’s exhibition titled X is Not a Small Country in 2021 and the 13th Shanghai Biennale titled Bodies of Water in 2021, and London’s Art Festival, Deptford X in 2022. In 2023 Ibiye was included in the Venice Architectural Biennial within the group exhibition Guests from the Future, and in 2024, was included in Unseen Guests, a project organized by Iniva as part of the British Pavilion’s public programme at the 60th Venice Biennial.
Ibiye Camp, Rhiarna Dhaliwal and Emmy Bacharach run a BA Studio titled Digital Native at the Design Academy Eindhoven.
Join us for a free guided tour of of Ibiye Camp’s solo exhibition layt de kam at Bonington Gallery, and her newly commissioned artwork in NTU’s new Design and Digital Arts building close by.
The tour will be led by Tom Godfrey, Curator and Director of Bonington Gallery.
This event will last up to an hour. Please meet at the entrance to Bonington Gallery for a prompt start at 1.00 pm. Free and open to all, booking required.
Ibiye holds an MA in Architecture from the Royal College of Art, and BA (Hons) in Fine Art, from the University of the Arts London, Central Saint Martins. Ibiye’s Thesis project titled Data: The New Black Gold was awarded the School of Architectures Dean’s Prize and was nominated for the RIBA Silver Medal Award.
Ibiye has presented her work at The Sharjah Architecture Triennial titled Rights of Future Generations in 2019 and Triennale Milano The State of the Art of Architecture conference in 2020. She showed in the Istanbul Biennial titled Empathy Revisited in 2020, and MAAT – Museum of Art, Architecture and Technology’s exhibition titled X is Not a Small Country in 2021 and the 13th Shanghai Biennale titled Bodies of Water in 2021, and London’s Art Festival, Deptford X in 2022. In 2023 Ibiye was included in the Venice Architectural Biennial within the group exhibition Guests from the Future, and in 2024, was included in Unseen Guests, a project organized by Iniva as part of the British Pavilion’s public programme at the 60th Venice Biennial.
Ibiye Camp, Rhiarna Dhaliwal and Emmy Bacharach run a BA Studio titled Digital Native at the Design Academy Eindhoven.
On the occasion of Ibiye Camp’s solo exhibition at Bonington Gallery and the newly commissioned artwork displayed in NTU’s Design and Digital Arts Building, we are delighted to welcome Ibiye to give a talk about her recent work and wider practice, followed by a Q&A led by Bonington Gallery Curator & Director, Tom Godfrey.
The talk will take place in the Bonington Lecture Theatre, just next door to the gallery, and is free and open to all, booking required.
Ibiye holds an MA in Architecture from the Royal College of Art, and BA (Hons) in Fine Art, from the University of the Arts London, Central Saint Martins. Ibiye’s Thesis project titled Data: The New Black Gold was awarded the School of Architectures Dean’s Prize and was nominated for the RIBA Silver Medal Award.
Ibiye has presented her work at The Sharjah Architecture Triennial titled Rights of Future Generations in 2019 and Triennale Milano The State of the Art of Architecture conference in 2020. She showed in the Istanbul Biennial titled Empathy Revisited in 2020, and MAAT – Museum of Art, Architecture and Technology’s exhibition titled X is Not a Small Country in 2021 and the 13th Shanghai Biennale titled Bodies of Water in 2021, and London’s Art Festival, Deptford X in 2022. In 2023 Ibiye was included in the Venice Architectural Biennial within the group exhibition Guests from the Future, and in 2024, was included in Unseen Guests, a project organized by Iniva as part of the British Pavilion’s public programme at the 60th Venice Biennial.
Ibiye Camp, Rhiarna Dhaliwal and Emmy Bacharach run a BA Studio titled Digital Native at the Design Academy Eindhoven.
For the second consecutive year, Bonington Gallery proud to collaborate with Nottingham School of Art & Design to curate and commission a new digital artwork for the Design and Digital Arts (DaDA) building. This year’s commission is by artist Ibiye Camp, coinciding with her solo exhibition layt de kam at Bonington Gallery (17 January – 7 March 2025).
Camp’s commissioned work employs photogrammetry technologies and draws from a personal narrative surrounding a family funeral. The piece is inspired by Chinua Achebe’s short story The Sacrificial Egg, which explores the tension between Nigerian traditions and modern Western influences. This theme resonates strongly with Camp’s practice, which interrogates the intersections of tradition, spirituality, and modernity through both digital and physical media.
The completed work will be showcased on the large-scale screen in the DaDA building lobby and within the immersive 270-degree projection space on the first floor. As part of the commission, Camp will also lead two student workshops and deliver a public lecture, offering further insight into her creative process and thematic concerns.
Ibiye holds an MA in Architecture from the Royal College of Art, and BA (Hons) in Fine Art, from the University of the Arts London, Central Saint Martins. Ibiye’s Thesis project titled Data: The New Black Gold was awarded the School of Architectures Dean’s Prize and was nominated for the RIBA Silver Medal Award.
Ibiye has presented her work at The Sharjah Architecture Triennial titled Rights of Future Generations in 2019 and Triennale Milano The State of the Art of Architecture conference in 2020. She showed in the Istanbul Biennial titled Empathy Revisited in 2020, and MAAT – Museum of Art, Architecture and Technology’s exhibition titled X is Not a Small Country in 2021 and the 13th Shanghai Biennale titled Bodies of Water in 2021, and London’s Art Festival, Deptford X in 2022. In 2023 Ibiye was included in the Venice Architectural Biennial within the group exhibition Guests from the Future, and in 2024, was included in Unseen Guests, a project organized by Iniva as part of the British Pavilion’s public programme at the 60th Venice Biennial.
Ibiye Camp, Rhiarna Dhaliwal and Emmy Bacharach run a BA Studio titled Digital Native at the Design Academy Eindhoven.
Installation views of Ibiye Camp’s commissioned work A Rewrapping, 2026.
Photogrammetry workshops with students
Join us for the first academic walkthrough of our exhibition programme as we welcome Marco Bohr, Associate Professor in Design and Digital Art at Nottingham School of Art & Design.
This event marks the beginning of a series of short, informal, academic-led talks and tours of the Bonington Gallery exhibition programme. These sessions provide our academic colleagues with an opportunity to share insights, spark discussion, and share research that resonates with the themes of our exhibitions.
Marco’s research is concerned with the role that images play in the shaping of a variety of discourses related to politics, gender, identity, sexuality, censorship, ethics and disasters. Drawing on his background as an exhibiting photographer, Marco’s research interest is principally focused on the photographic image — not only as a medium of visual expression but also as a research methodology and a tool for political activism.
Marco’s research interest also extends to visual propaganda, cinema, documentary and essay film. His book “Visual Counterculture in Japan” was recently published by Bloomsbury.
Join us for the launch of our final exhibitions of the season: THROUGH A MIRROR, DARKLY – a film commission from Turner-Prize nominated artist Naeem Mohaiemen and the 30th instalment of our Vitrines featuring a collection of photography from Baltimore-based photographer John Dean.
THROUGH A MIRROR, DARKLY is a new three-channel film by Turner Prize nominated artist Naeem Mohaiemen. It explores memorialisation, protest, and political violence through the lens of events in May 1970, when American students protesting domestic racism and overseas wars were met by state violence.
As part of the 30th instalment of our Bonington Vitrines series, we’re delighted to present A Semester in Nottingham, 1976, an exhibition of photographs by Baltimore-based John Dean. Captured during his time as a visiting student to NTU in 1976, these photographs offer a powerful glimpse into Nottingham life during a transformative era.
Enjoy a free welcome drink, delicious food (first come, first served!) and music.
