During the exhibition, students at Nottingham Trent University and visitors of the exhibition were invited to design their very own personalised monogram to be in with a chance of winning a limited edition print from the Alan Kitching Collection. The rules were simple; the monogram had to:
1) include your own initials
2) use one letter from the typefaces used in the Alan Kitching Collection. The subsequent letters could come from anywhere: another typeface, hand-drawn, a found letter…
3) be rendered in a way that it tells us something about the designer.
Entries were then uploaded with the hashtag #NTUmonogram to Twitter, Instagram or Facebook.
The competition ended on Sunday 18 October 2015, and the winner (selected by Alan Kitching himself) was announced on Thursday 22 October.
Read all about the winning entry and the runners-up in this story on our blog.
To find out more, read the full competition details.
This exhibition celebrated the collaboration between two typographic forces: Alan Kitching, a leading practitioner in letterpress, typography and design; and Monotype, global trailblazers in type and home to some of the world’s most popular typefaces.
The exhibition featured the Alan Kitching Collection which celebrated the lives of five very influential graphic designers: Tom Eckersley, Abram Games, FHK Henrion, Josef Müller-Brockmann, and Paul Rand.
The show revealed the process behind the making of the Collection; following Alan’s journey from research and sketches, through the Monotype archive, to Alan’s workshop and the finished printed pieces.
#NTUAlanKitching #Monotype
During the exhibition, students at Nottingham Trent University and visitors of the exhibition were invited to design their very own personalised monogram to be in with a chance of winning a limited edition print from the Alan Kitching Collection. The rules were simple; the monogram had to:
1) include your own initials
2) use one letter from the typefaces used in the Alan Kitching Collection. The subsequent letters could come from anywhere: another typeface, hand-drawn, a found letter…
3) be rendered in a way that it tells us something about the designer.
Entries were then uploaded with the hashtag #NTUmonogram to Twitter, Instagram or Facebook.
The competition ended on Sunday 18 October 2015, and the winner (selected by Alan Kitching himself) was announced on Thursday 22 October.
Read all about the winning entry and the runners-up in this story on our blog.
To find out more, read the full competition details.
This exhibition brought together two artists that investigate their own subjectivity in relation to socio-political economies and corporeal boundaries. Through differing approaches each artist created a shared language through mired and inky surfaces on skin and paper. By exhibiting solo works together Kelly and Marhaug grappled to hold each other in view and create the context to embark on a collaborative project, whilst Kelly was in residency at USF Verftet, Bergen (April-June 2013).
The Seers-in Residence was a programme which engaged four researchers from Nottingham Trent University, drawn from across various departments and schools. The researchers were invited to interact with Traci Kelly’s mono print installation Feeling It For You (Perspective) to evoke their own practice and research interests.
Emma Cocker, School of Art & Design
Thursday 10 January, 10 am – 1 pm
Emma Cocker’s practice interrogates the critical potential of failure, uncertainty, boredom, hesitation, immobility and inconsistency by exploring models of practice and subjectivity that remain wilfully open or unresolved.
Joanne Lee, School of Art & Design
Thursday 17 January, 10 am – 1 pm
Joanne Lee investigates the aesthetics of everyday urban life and explores the possibilities of the essay in textual and visual forms as a creative and critical entity.
Ben Judd, School of Art & Design
Wednesday 23 January, 2 pm – 5 pm
Ben Judd interacts with and creates alternative belief systems based on observations of social groups such as witches and Morris dancers, to which he remains paradoxically both close and distant, connected and disconnected.
Dr Simon Cross, School of Arts and Humanities
Thursday 31 January 10 am – 1 pm
Simon Cross’ research engages with the representation and attending imagery of madness in the social sphere through historical and contemporary trajectories.
