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Video Days takes its title from the 90s skateboard video by Blind Skateboards. Produced in 1991 by American skateboarder and filmmaker, Spike Jonze, the iconic video depicts street and park skating in the US, and is considered one of the most influential skate videos of its time.

For the duration of 25 days the gallery will be transformed into an open cinema. Running daily, Video Days presents a different film or series of short films each day from different decades and genres. The films screened share several common themes, most prevalent is their relationship to the built environment.

All films/performances are played on repeat unless specified otherwise.


The films on display do not come with a British Board of Film Classification (BBFC). We therefore advise that some of the films shown may contain scenes of nudity, discrimination, violence, drugs, imitable behaviour, and language unsuitable for young or vulnerable viewers. If you have any questions prior to visiting the gallery, please get in touch.


Tuesday 8 May

Emily Richardson, Beach House, 2015 (17 mins).
Looped all day.

Beach House, Shingle St, Suffolk Beach House is a film about a unique example of rural modernism, built on the UK coast of Suffolk by architect John Penn. Penn was an architect, painter, musician and poet whose nine houses in East Suffolk are all built with uncompromising symmetry adhering to the points of the compass in their positioning in the landscape they use a limited language of materials and form that were influenced by his time spent working in California with Richard Neutra. They are Californian modernist pavilions in the Suffolk landscape. Beach House is John Penn’s most uncompromising design in terms of idea as form. The film combines an archive film made by Penn himself on completion of the house with experimental sound recordings made during the same period and material recently filmed in the house to explore a convergence of filmic and architectural language and allow the viewer to piece together Beach House in its past and present forms.

Wednesday 9 May

John Maybury, Read Only Memory, 1998, (92 mins). Courtesy of Lux, London.
Screening times: 10 am, 11.45 am, 1.30 pm, 15.15 pm

Maybury’s significant contribution to experimental film and video becomes apparent through a complex reworking of his own archive footage.

“The film’s attempt to re-create an acid trip is showcased in this creature’s dance: whenever she moves, a rainbow of colors and shapes appear, as if her appendages are the artist’s brushes”.

Gary Morris

Thursday 10 May (late opening)

Reactor, The Gold Ones, 2018, (10 hours).
This special edit of The Gold Ones will run in it’s entirety, 10 am – 8 pm

The project is an evolving narrative, that uses video, performance and installation to explore an imagined future inhabited by characters collectively known as the Gold Ones. When Max Gold’s video transmission first came through in 2014, he named himself ‘one of the Gold Ones’. After tracking Max for a period, filming began in the space known as the Cosmic Care Home (CCH). Initially remaining in what could be described as the outer or back spaces of the CCH, looking through the walls that are at times transparent, or listening in on voices from the other side. This is where the Gold Ones live, and despite their existence on a higher spiritual plane, beyond the limitations of time – the place they inhabit resembles what would be described as a ‘total institution’. They appear to be predominantly cut off from a wider community, and lead an enclosed and bureaucratically controlled existence. What has been seen to date is some semblance of the outer perimeter, or the first entry point into the body of the CCH. It is intended that you will further get to know the Gold Ones through the documentary that is being made here now, and in the future, about who they were and how they exist.

Friday 11 May

A new film work from Friends. More information coming soon.

Saturday 12 May

Various, Nottingham Archive Films, courtesy of Mace Archive.
Looped all day.