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Bonington Gallery is pleased to present Knees Kiss Ground by London based artist Motunrayo Akinola (b.1992). 

Motunrayo explores themes related to faith, migration, belonging, colonialism and postcolonialism using everyday materials, domestic imagery, historical imagery and text. His work manifests predominantly through sculpture, installation, performance, sound and drawing. 

As a British-born Nigerian who is comfortable in both spaces, Akinola’s work investigates systems and subtle cultural codings that maintain a sense of othering. He creates environments that question societal positions on contemporary issues by re-contextualising familiar objects and materials – interrupting quick associations and creating points of access into othered perspectives.

Motunrayo’s interest in attitudes towards migration stems from his dual upbringing in London and Lagos, Nigeria. Work created during recent years explores postcolonial power dynamics and the psychology of ownership. By noting subtle gaps in cultural knowledge, his work encourages a new understanding about the possession of space.

Having studied both architecture and art, Motunrayo is interested in the impacts the built environment has on human experience. For this exhibition, Motunrayo will present works including a full-scale replica of a shipping container made from cardboard, a site-specific drawing that documents a private performance in Bonington Gallery, and several works that use light to explore the relationship between light and religious or spiritual rituals, such as the Biblical association of light as a revelatory presence.

This exhibition has been produced in partnership with South London Gallery where Motunrayo spent six months on the Postgraduate Residency programme in 2023/24, culminating in the solo exhibition Knees Kiss Ground. This iteration of the exhibition is an expansion on the works created during that period.

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