For the tenth iteration of Bonington Film Nights, we’re pleased to present four films by Annette Kennerley, Ian Giles, Stephen Isaac-Wilson and Charlotte Prodger to coincide with LGBT+ History Month.
Each of the artists explore queer space through film, focusing on differing geographies, from the club to landscapes, documenting the erasure and reclaiming of queer spaces. The artists utilise numerous techniques such as voice overs and verbatim theatre to explore both personal and collective subjectivity. Collectively the films explore queer desire, (in)visibility, relationships, resistance, collective action, and the body’s relationship to space and technology.
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After the Break (1998)
Annette Kennerley
13 minutes
Trojan Horse / Rainbow Flag (2019)
Ian Giles
25 minutes
Fleshback: Queer Raving in Manchester’s Twilight Zone (2018)
Stephen Isaac-Wilson
17 minutes
SaF05 (2019)
Charlotte Prodger
39 minutes
Ian Giles completed his MFA in 2012 at the Slade School of Fine Art. He was a LUX Associate Artist 2012/13. Recent exhibitions and screenings include: Outhouse, Kettle’s Yard, Cambridge; Studio Four, OUTPOST, Norwich; Trojan Horse / Rainbow Flag, presented by Gasworks at Bethnal Green Working Men’s Club, London (all 2019); After BUTT, NY Art Book Fair, MoMA PS1, New York; Video Club: Sex Talks, Stedelijk Museum, Amsterdam; After BUTT, Chelsea Space, London (all 2018). Ian was an inaugural winner of the Shannon Michael Cane Award in 2018. He was a New Geographies commissioned artist 2018-20 and is currently a recipient of the Jerwood New Work Fund.
Annette Kennerley is a writer and filmmaker based in London. She was born in Cheshire and started making films in the 1980s. She was awarded a BA in Fine Art (Film & Video) at Central Saint Martins College of Art & Design, London in 1991 and has worked mainly with Super 8 and 16mm film, experimenting with optical printing techniques and with the support of production awards from the Arts Council. Her work has exhibited at cinemas and film festivals nationally and internationally.
Annette’s films explore themes of childhood, motherhood, love, loss and sexuality. She draws on personal experiences in many of her films, though she has also made experimental documentaries with transgender people and directed a Transgender Film Festival at the LuxCinema for several years in the 1990s. She is also a writer and a teacher/mentor to young people.
Stephen Isaac-Wilson is a black queer London-based director who has directed films for Channel 4, i-D, Victoria Miro and the Tate, and worked with artists including Jorja Smith, Isaac Julien and Klein. Stephen grew up in southeast London, and in 2013 was accepted onto the BBC’s prestigious production trainee scheme, where he began his filmmaking career. In 2015/16, he worked across the Emmy award-nominated series about LGBT rights, Gaycation, presented by Elliot Page.
Last year he was commissioned to direct a portrait film for the Tate’s Queer British Art exhibit and also produced a 40-minute Mykki Blanco documentary about black queer alternative culture in Johannesburg. Stephen combines both his journalistic background with his visual art sensibilities, to tell beautifully emotive and thought-provoking stories.
His work has been screened at the ICA, Tate and the Barbican, as well as a film festivals including Outfest and Iris Prize.
Charlotte Prodger lives in Glasgow and is represented by Hollybush Gardens and Koppe Astner. Last year she represented Scotland at Venice Biennale and won the Turner prize in 2018. Solo shows include Subtotal, Sculpture Center, New York (2017); BRIDGIT, Hollybush Gardens, London (2016); Kunstverein Düsseldorf (2016); 8004-8019, Spike Island, Bristol (2015); Nephatiti, Glasgow International (2014); Markets with The Block, Chelsea Space, London (2014) and Percussion Biface 1-13, Studio Voltaire (2012), London. Group shows and screenings include Lichtspiele, KW Institute for Contemporary Art, Berlin (2017); British Art Show 8 (2016); Weight of Data, Tate Britain, London (2015); The Secret Life, Murray Guy, New York (2015); An Interior that Remains an Exterior, Künstlerhaus Graz (2015); Assembly: A Survey of Recent Artists’ Film and Video in Britain, Tate Britain (2014), Holes in the Wall, Kunsthalle Freiburg (2013) and Frozen Lakes, Artists Space, New York (2013). Performances include Orange Helvetica Title Sequence, NY Book Art Fair, MOMA PS1 with Bookworks (2014).