Overcame the tube strikes last Thursday to visit Iain & Andrew Foxall of Foxall Studio in their workspace at Great Western Studios in London. They will be creating a project for the gallery next April which is looking & sounding incredibly exciting. Take a look at their website for further info about their previous projects, ‘Webcams’ and ‘Lagos Fanzine’ probably offer the closest indication of what might be in store for 2016…
Icons of Rhetoric opened today, and has been featured on several sites across the web (as well as being featured in ArtRabbit’s openings this weekand on their Instagram feed!). Check out the links below:
» London Korean Links
» Redeye: The Photography Network
» Dodho Photography Magazine. The original feature on Dodho, which explores the process of making the photographs (and more) can be found here.
Open until Friday 10 July, Monday – Friday 10 am – 5 pm. For more information, visit the Icons of Rhetoric exhibition page.
On 12 June, Castlefield Gallery (Manchester) opened their major Summer exhibition, Real Painting; a group exhibition curated by Deb Covell and Jo McGonigal, which “emphasizes the essential grammar of painting, considering not necessarily what a painting means but what it ‘does’.”
Following on from his solo exhibition Soft Painting here in the gallery in April / May this year,Simon Callery is exhibiting works which continue to focus on engaging the viewer on a physical level, rather than just a reaction to an image.
Installation view from Simon Callery: Soft Painting; Wiltshire Modulor Double Void, 2010 – 2015.
Other artists include; Adriano Costa, Deb Covell, Angela de la Cruz, Lydia Gifford, David Goerk, Alexis Harding, Jo McGonigal, DJ Simpson, Finbar Ward.
Real Painting will be on show until Sunday 2 August, 2015. For more information, visit the exhibition page on Castlefield Gallery’s website here, and be sure to follow Castlefield Gallery on Facebook and Twitter for more images from the show.
Following on from the #NTUDEGREESHOW, our next exhibition opens on Thursday this week!
Icons of Rhetoric is a project created by photographer Chris Barrett and writer Gianluca Spezza which gives us a unique look at “the most isolated country in the world”; North Korea. The exhibition includes over 40 images which are crafted from taking still images from North Korean television broadcasts by the country’s state news network. The pair use appropriated images developed on instant film, to comment on how the West uses such images to reinforce its own limited stereotypical views of the country.
“We’re exploring the idea of ‘seeing is believing’ in the digital age” says Barrett. “People’s concerns about human rights in North Korea are perfectly valid and important issues but it’s dangerous for us to entirely base our understanding on a narrow binary image of good and bad often focused on sensationalised information skewed in favour of click bait ridicule or ridiculous hearsay’. It’s true North Korea is a very difficult place to cover but this should not allow for the anything goes #rareglimpse reporting that seems to surround the country”
Take a look at a few photos of the set-up and exhibition below, and stay tuned for more info over the coming weeks. Be sure to follow @IconsofRhetoric on Twitter / Instagram and use #IconsofRhetoric to have your say.
Here is a selection of blog posts form Simon Callery’s recent solo show, Soft Painting
Soft Painting has begun! Come and take a look as the exhibition unfolds between now and the preview on Wednesday 29 April, when the paintings will be completed and on show for further two and a half weeks. Visit the exhibition page for more details.
Simon Callery has now been working in the gallery since Monday, along with a select group of BA (Hons) Fine Art students from here at NTU and Nottingham-based artists.
Here’s a quick recap of the week in photos:
Here are some progress shots from this week, taken by local artist and photographer, Julian Hughes:
Assistants: Yajie Jiang and Joshua Wheeler
For more of Julian’s work, be sure to follow him on Facebook and Twitter.
With just a few days to go until the preview, work on Soft Painting will continue through the weekend. Here’s a recap of the process from this week
From 13 – 29 April, Simon Callery worked in the gallery space with a selected group of Nottingham Trent University BA (Hons) Fine Art students, and a group of Nottingham-based artists to produce three large-scale works. These works will now be on display in the gallery until Friday 15 May. Come and take a look!
Here’s a few photos from last night’s midway preview – thanks to all who came along.
We are delighted to unveil the latest addition to the Nottingham Trent University art collection from artist Simon Callery. Simon joined us in 2015 for his solo exhibition Soft Painting. Wiltshire Modulor (small, 2010-2013) will be on permanent display in Bonington Gallery’s foyer space.
The recent opening of our new exhibitions also marked the un-veiling of the latest addition to the NTU art collection. This joins a host of works and artefacts on display in our foyer that relate to past exhibitions and we’ll be contributing to this selection going forwards.
Ahead of his show here at the Gallery in April / May 2015, Simon Callery invited us down to his studio just outside of London. Simon and Gallery Resource Manager Tom Godfrey discuss the process of creating a painting and Simon’s approach to colour, as well as thoughts on collaboration, experimentation and much more.
We would like to invite you to post your photos of our current show Made In Wood, using the hashtag, #madeinwood. Here is a couple of some of the photos that we have seen so far:
From Wednesday 11 March – Wednesday 18 March, Architecture students and staff from Nottingham Trent University and Bergen Academy of Art and Design, Norway took part in a unique collaborative project. Taking inspiration from Italo Calvino’s Invisible Cities, the students have addressed how global cities seem to challenge the laws of gravity, with soaring skyscrapers that compete to reach imposing heights. Watch the video above to see the wooden city takes form in the Gallery…
Read more about the Made in Wood project here.
Made in Wood is under way! Here’s a sneak peek at the work in progress:
Photos by Lena Mari Kolås, one of the visiting students from Bergen Academy of Art and Design.
Come and take a look at the finished work at the Midway Preview on Wednesday 18 March, 5 pm – 8 pm. If you’d like to attend, please RSVP to confirm your attendance.
In the meantime, for more photos from the build-up check out our Instagram account!
A continuing collaboration between artists exploring the industrial architecture and remnants of ceramics at the former Spode factory in Stoke-on-Trent will result in an exhibition of new work at Bonington Gallery.
Staff and alumni from Nottingham Trent University and Sheffield Hallam University have created new material for the Returns exhibition which will open in this month.
The partnership evolved from an international research project titled Topographies of the Obsolete which was set up by Bergen Academy of Art and Design in Norway in 2012/2013 at the disused Spode factory. The work for that project was exhibited and published during the world-famous British Ceramics Biennial in September 2013, and centred on the landscape of post-industry.
Art shown at the biennial included pieces using abandoned decorative ceramic transfers by Nottingham Trent University researcher Danica Maier. The transfers were produced in bulk in large stacks with which Danica worked, often making them into plinths or frames for themselves – blurring the boundary between what is the ‘artwork’ and what is the ‘frame’.
Danica said: “In my work two-dimensional and three-dimensional identities are combined together: a whole series of flat planes together unite into three-dimensional forms. A ‘flat’ decorative transfer, when stacked in multiple, creates a new three dimensional form in space. It is the continued development of these ideas that I am playing with in the Returns exhibition.”
Meanwhile her Nottingham Trent University colleague Andrew Brown led ‘sound walks’ around the disused factory in which participants walked through the site while listening to a specially-composed soundtrack, comprising contemporary recordings made in that environment and sounds from other times and places. He also exhibited video and installation works.
Returns develops themes and initiatives which started at the Spode factory by focusing on placing objects in a new context, developing site specific work as well as further work with performance and sound.
Andrew explained: “My design for each sound walk is informed by perspectives on the past, present and future of each site, and Bonington Gallery and its environs provide diverse material with which to work.”
In addition to artistic researchers Andrew and Danica, fellow Nottingham Trent researchers exhibiting will include Debra Swann and Joanne Lee, with recent Fine Art graduates Ciaran Harrington and Christine Stevens, both participants in the original Spode project, being artists in residence for the duration of the exhibition. From Sheffield Hallam University, Chloë Brown will be exhibiting.
Following Returns, a subsequent exhibition will be taking place at Sheffield Hallam SIA Gallery in winter 2016. Each exhibition will be a new development from the work previously exhibited, demonstrating the progression of the research.
Returns will show at Bonington Gallery from Thursday 12 February to Wednesday 4 March, Monday – Friday, 10 am – 5 pm.