Bonington Lecture Theatre Archives

Following an online screening and Q&A with artist Subash Thebe Limbu in 2022, we are delighted to present an in-person screening of Ningwasum (2021) and Ladhamba Tayem; Future Continuous (2023), followed by a live Q&A.

The screening (55 mins) will be followed by a discussion and Q&A led by Nicole Thiara where Subash will discuss how his work draws on and develops Indigenous Futurism as well as Adivasi Futurism.

Ningwasum (2021) is a Yakthung science fiction documentary film/video-work narrated by Miksam, a time traveller from a future Indigenous Nation. The film follows two time travellers, Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction. The film explores notions of time, space and memory, and how realities and the sense of now could be different for different communities. Drawing from Adivasi Futurism and inspired by Afrofuturism and Indigenous Futurism, Ningwasum imagines a future from an Indigenous perspective where they have agency, technology, sovereignty and also their indigenous knowledge, culture, ethics and storytelling still intact.

The plot of Ladhamba Tayem; Future Continuous (2023) depicts a conversation between two indigenous figures from different historical timelines, the first a real 18th century Yakthung warrior called Kangsore fighting the colonial army, and the other an astronaut and time traveler from the distant future. They discuss the space-time continuum from their perspectives, and in doing so, ask the viewers — who exist between the past and future — to investigate their own relationship to the passage of time. The time traveller indicates what the future might look like for us or possibilities we want to strive for, while the warrior reminds us of the fight against colonialism and struggles we shall overcome.

In the future, the Indigenous nationalities will have created a technique called thakthakma – which literally means to ‘weave handloom’, a term inspired by our ancestors’ weaving practice – a technique of entering different timelines or in other words weaving time. So, Subash thinks of his works as weaving stories that are not linear but intricately interwoven. And along the same vein, this work plays with the idea of time as not something rigid but ductile or weavable, which in turn paves the way for questions like how we might want to weave the future.

This event is part of the third series of CADALFEST and organised in collaboration with Formations and the Bonington Gallery. CADALFEST (Celebrating Adivasi and Dalit Arts and Literature Festival) is an international festival series dedicated to the writing and performance arts by writers whose work creatively resists caste discrimination and social exclusion in India: Dalit Adivasi Text.

Happening in Nottingham during the time of this event, we recommend visiting the exhibition Kolam (கோலம்) that has been curated by Raghavi Chinnadurai at Primary, Nottingham. This exhibition explores themes connected to our event, and also features Osheen Siva who exhibited at Bonington Gallery in Spring 2024.

Image: Subash Thebe Limbu, NINGWASUM 2021, video still. Courtesy of the artist.

When I Dare to be Powerful International Conference explores the idea of voice as an agent for change and act of resistance.

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When I Dare to be Powerful International Conference will bring filmmakers, artists, writers and activists together with conceptual thinkers and cultural theorists to answer pressing questions relating to voice as an agent of change.

Centred on voice as a lens through which we conceive of a social alterity that undermines current ideological dominance, we would like to invite proposals from academics, practitioners and activists interested in exploring coming to voice as an act of resistance. Has adequate progress been made in remedying the lived experience of minoritised people? How will social parity be achieved? Can dissent facilitate a space from which an alternative, socio-cultural narrative can thrive?

When I Dare To Be Powerful one-day conference offers a packed programme of events running up to and including the conference itself:

The conference period begins on 26th April and runs through to the one-day conference in June. Join us in the conversations relating to voice, around which our one-day conference is based.

The conference is free to attend and will take place in person on Wednesday 21st June 2023.

Visit our When I Dare To Be Powerful website to find our more about the conference timetable.

Somewhere Else Entirely is photographer Emily Andersen’s first completed video portrait and is inspired by her decade-long friendship with poet Ruth Fainlight. To coincide with the exhibition, Emily and Ruth will be joining us for a free in-conversation event, hosted by Duncan Higgins, Professor of Visual Art at NTU.

Discover how the artists’ relationship grew after a chance meeting, hear how Emily’s intimate video work was made and enjoy a special reading by Ruth.

Emily Andersen has been a photographer for four decades. Her work includes interiors, architecture, and landscape but she is best known for her award-winning portraiture, capturing well-known faces including Nico, Peter Blake, and Helen Mirren. A number of her portraits are in the permanent collection of The National Portrait Gallery, London. She has won awards including the John Kobal prize for portraiture. She is a Senior Lecturer in photography at the Nottingham School of Art & Design at Nottingham Trent University.

Ruth Fainlight (b. New York City , 1931) is an award-winning poet and translator, whose collections have spanned five decades. Fainlight has lived in England since the age of 15, achieving success in fiction, translation and opera libretti as well as poetry. In 1959 she married the writer, Alan Sillitoe, and her many literary friendships included Sylvia Plath, Jane and Paul Bowles, and Robert Graves. She became a Fellow of the Royal Society of Literature in 2008.

Re-sensitised Symposium re-visits, reflects and re-lives the last seven years of the Sensitive Skin festival.

It brings together a diverse group of artists, all of whom have been part of the festival since its inception in 2000, pondering on the question ‘How has Sensitive Skin evolved over the past seven years and how has Live Art and Performance practice developed during that period?’

Offering talks, presentations, lectures and an “artists in conversation’ panel throughout the day, the event will culminate in a celebration closing this year’s festival, including two performances from Rajni Shah and Harminder Singh Judge.

Speakers:

Self-proclaimed maximalists Andrew and Zandra met in 1972 at Andrew’s inaugural Alternative Miss World contest, the alternative beauty pageant that him and his team still run to this day. The two soon became close friends and have since travelled the world together, collaborated with each other, and share many of the friends that were so influential in early 70s and 80s British culture and sub-culture.

Join us for the rare opportunity to hear these two iconic figures of art and design talk openly and candidly about the early and influential moments in each of their careers.

This event coincides with our current exhibition Andrew Logan’s The Joy of Sculpture.

Watch in person or online

Register for your free place to watch this event in person at Nottingham Trent University’s City Campus, or to tune into the livestream if you can’t make it to Nottingham.

Foundations – presented in partnership by NTU and Nottingham Contemporary

Foundations explores the formative moments in practitioners’ careers. It’s about the relationship between artists, art schools and the wider world.

A new collaboration between Nottingham Contemporary and Nottingham Trent University, this series hosts conversations between acclaimed artists, designers, musicians, filmmakers and architects. Intended to both inform and inspire, Foundations will pose questions such as: Can art be taught? What next for cultural education? What do we mean by experimentation? What and how can we learn from artists? And vice-versa?

Building on the art-school tradition of open-ended dialogue and experimentation, these free events are open to practitioners, students and the public. We plan for all events to take place in person, and to be livestreamed and live captioned; audience contributions will play a central role.

Biographies

Sculptor, painter and jewellery artist Andrew Logan is one of Britain’s most iconic artists, known for challenging convention, mixing media and playing with our artistic values. Andrew founded the Alternative Miss World contest in 1972, that soon became a meeting place for the leading cultural provocateurs of that time and subsequent years. Judges over the years included David Hockney, Ruby Wax, Leigh Bowery, Grayson Perry, and Zandra Rhodes.

Andrew has always maintained a prolific and dedicated artistic practice, reflecting his unrelenting, and infectious, passion, joy and energy. His established aesthetic utilises the transformation of smashed glass and found objects into flamboyant, colourful and glittering objects, of all shapes and sizes. Andrew has exhibited his work the world over, with several pieces now residing in major collections including the National Portrait Gallery and the Arts Council Collection.

Dame Zandra Rhodes has been a notorious figurehead of the UK fashion industry for five decades, celebrating her 50th year in fashion in September 2019 with a retrospective exhibition at the Fashion and Textile Museum – founded by Zandra – entitled Zandra Rhodes: 50 Years of Fabulous and a retrospective book published by Yale. Her notoriety as a print designer combined with an affinity for fine fabrics and colour has resulted in a signature aesthetic that is undeniably unique and continues to stand the test of time. A pioneer of the British and international fashion scene since the late 60’s, Zandra’s career has seen her collaborate with brands such as Valentino, Topshop and Mac Cosmetics. Continuing to collaborate with brands that inspire her, 2021 will see the launch of Zandra Rhodes x IKEA amongst many other exciting partnerships and projects

Image credit: Andrew Logan and Zandra Rhodes at Penny Stamp Lectures, photo by Chrisstina Hamilton

Join us in person or online for a free screening of The British Guide to Showing Off, a film documenting iconic artist Andrew Logan’s spectacular pageant The Alternative Miss World.

British artist and living legend Andrew Logan, loved the world over by celebrities and misfits alike, takes us under his glittering wing and inside his outrageous, anarchic and spectacular costume pageant: The Alternative Miss World. As the Show’s master of ceremonies and ringmaster, Logan is the high priest of an esteemed congregation. He describes the Show as his most important artwork; a fabulous living sculpture that spans forty years of arts and culture.

Combining observational footage, extensive archive material and exuberant animation, Jes Benstock’s fittingly outrageous documentary charts the mounting of the 2009 Show, interwoven with its history, the rise, fall and rediscovery, of both the event and the artist at its centre.

With the launch of the CAMPUS Independent Study Programme, we will be hosting a series of talks by the CAMPUS faculty exploring alternative modes of education, decolonial practices, Black studies, and anti-fascist movements.

Elvira Dyangani Ose’s internationally acclaimed curatorial work is committed to the histories and legacies of colonialism in contemporary African art.

Elvira Dyangani Ose was recently appointed Director of The Showroom. Dyangani Ose was Senior Curator at Creative Time, a New York-based non-profit public arts organisation. Currently a lecturer in Visual Cultures at Goldsmiths, Dyangani Ose is a member of the Thought Council at the Fondazione Prada and is an independent curator. She was Curator of the eighth edition of the Göteborg International Biennial for Contemporary art (GIBCA 2015) and Curator, International Art at Tate Modern (2011 – 2014). She also recently joined Tate Modern’s Advisory Council.

CAMPUS Independent Study Programme

CAMPUS is a year-long and city-wide independent study programme in curatorial, visual and cultural studies, based on collaborative knowledge production and innovative research practices. It is a free-to-attend programme of monthly closed-door gatherings and free public talks. Taking place in different locations in Nottingham (Nottingham Contemporary, Primary, Bonington Gallery, Backlit), CAMPUS welcomes participants from different backgrounds who wish to engage in conversations about contemporary debates and further explore interdisciplinary practices. CAMPUS is a space of encounter between researchers, practitioners, activists, scholars, institutions and organisations.

Following the success of our London’s Calling exhibition, we invited 80s club host and fashion icon, Scarlett Cannon, to join us for an in-conversation event with fashion designer and Nottingham Trent University (NTU) lecturer, Juliana Sissons.

On Wednesday 18 October 2017, Juliana and Scarlett share their experiences of what it was like to be part of the vibrant, transitional youth culture and clubbing scene in London during the 1980s. London was experiencing a social, cultural and political revolution, paving the way for self-expression and rebellion. The club scene in London was explosive and challenged boundaries; and the fashion that came with it was flamboyant, hedonistic and designed to shock.

Chaired by Bonington Gallery curator Tom Godfrey, this in-conversation event posed questions around the importance of fashion, gender and self-expression in the 1980s and what impact it has had on their lives since…

Nottingham based collective Annexinema organise screenings of experimental film and visionary moving image, often in interesting and unusual locations. Recent events have been held in disused shops, medieval churches, and former factories. Programmes are curated thematically and bring together work by well-known experimental filmmakers, contemporary artists, and archival oddities.

For Bonington Film Night #7 Annexinema have selected a series of film works in response to our current exhibition All Men By Nature Desire To Know curated by Joshua Lockwood.

Nottingham Trent University (NTU) is delighted to invite Alan Michael to speak as part of the 2017 Fine Art Live Lecture Series.

(b.1967 Paisley, Scotland) Alan lives and works in London. His work combines existing styles and codes of painting, photography and text to highlight tensions between displays of labour and casual under-performance. While making allusions to an unresolved relationship between photorealism, Pop and the ‘realness’ of street photography, his works often refer to various processes used to generate the ideas, circuits of reception and, ultimately, the finished works themselves.

Alan is currently exhibiting in a group exhibition entitled All Men By Nature Desire To Know, which is on at Bonington Gallery until Friday 17 February 2017.

ABOUT THE FINE ART LIVE LECTURE SERIES

The Fine Art Live Lecture Series is an initiative by Nottingham Trent University’s Fine Art course, whereby creative practitioners are invited to deliver a lecture to current students. The lectures are also open to staff, alumni and the general public.